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Showing 1 to 15 of 65 results
Whitney, Allison – CEA Forum, 2014
When teaching horror films, where the primary texts are created to frighten and disturb their audiences, instructors often find it challenging to find pedagogical strategies that are at once effective and responsible. For students not accustomed to horror, the shocking nature of the texts can sometimes be difficult to handle, while even the horror…
Descriptors: Psychological Patterns, Affective Behavior, Emotional Response, Film Study
Fike, Matthew A. – CEA Forum, 2013
This essay describes a method of teaching a very challenging anthology piece: Laura Kipnis's "Love's Labors" (chapter 1 of her 2003 "Against Love: A Polemic"). The method, although designed for a critical thinking course, should also provide resources for those who teach Kipnis's work in writing courses. Using…
Descriptors: Teaching Methods, Critical Thinking, Psychology, Higher Education
Isaacson, Emily Ruth – CEA Forum, 2013
Given what seems a constant barrage of criticism aimed at the academy from politicians and the public--and the great concern for buzz words like accountability and transparency--it has become fairly routine to see a defense of the humanities in opinion pieces in "Inside Higher Education," "The Chronicle of Higher Education," "The New York Times,"…
Descriptors: Higher Education, Humanities, Role, Critical Thinking
Engbers, Susanna Kelly – CEA Forum, 2012
Communication has always been at least partly a visual experience--insofar as the speaker's appearance on a stage or the text's appearance on the page. Certainly, however, the experience is becoming more and more visual. Thus, equipping students with the tools necessary to analyze and evaluate the visual rhetoric that surrounds everyone is a task…
Descriptors: Higher Education, Visual Literacy, Critical Viewing, Verbal Communication
Moser, Janet – CEA Forum, 2011
If I can show my literature students how Nabokov can take them from familiar representations of experience to representations of less familiar experiences, from a knowledge of the given world to an understanding of the world of the imagination, then, it seems to me, I ought to be able find some way of showing my composition students how to do it…
Descriptors: Writing Instruction, Writing (Composition), Experiments, Imagination
Amicucci, Ann N. – CEA Forum, 2011
In this article, I demonstrate how the use of reflective writing assignments in first-year composition facilitated students' understanding of their own writing process strategies. I first discuss the theoretical roots from which reflective practice among student writers grows. Next, I employ my students' voices to demonstrate that reflection…
Descriptors: Writing Instruction, Writing Processes, Reflective Teaching, Writing Assignments
Caswell, Nicole – CEA Forum, 2011
For my purposes, I approach writing assessment as more than just grading or responding to a set of student papers within a classroom context. Instead, I look at writing assessment as a complex act that links to teaching and learning, that affects the educational environment and students, that acknowledges the consequences of the assessment, and…
Descriptors: Educational Environment, Writing Tests, Teaching Methods, Writing Evaluation
Kennedy, Joan – CEA Forum, 2011
The pedagogical principle of experiential learning embodied in the oral interpretation of literature through Readers' Theater provides an avenue to accomplish a seemingly daunting task. Students' participation in reading, interpreting, discussing, writing, assessing, and performing their own creative responses to a literary work promotes a…
Descriptors: Cognitive Processes, Experiential Learning, Teaching Methods, Creativity
DeLotto, Jeffrey – CEA Forum, 2011
I propose that we think about what a paragraph is by considering its "function," what it does in a piece of writing, whether in a popular novel, a newspaper article, an e-mail, a business report, or a lofty piece of literary criticism. We might think about a paragraph as a "rhetorical dwelling."
Descriptors: Writing Instruction, Literary Criticism, Scholarship, Paragraph Composition
Callaghan, Michael J. – CEA Forum, 2011
Our thesis is more finely tuned to Thomas Merton (1915-68) the writer, more specifically, the poet/artist/writer and thinker. These are the components of the "Merton" voice. Merton senses the quality of innocence as the "sine qua non" of the poet or writer's vocation: "His art depends on an ingrained innocence which he would lose in business, in…
Descriptors: Poets, Literary Genres, Higher Education, Instruction
Berzsenyi, Christyne – CEA Forum, 2011
The historical transition from the 20th Century to the 21st has sparked a boom in identifying names and classifying characteristics of the young American adults and teens coming of age at that time. Though there is much discrepancy about the starting birth year and the life span parameters of "Generation Y", generalizing descriptions abound in an…
Descriptors: Social Justice, Student Attitudes, Mass Media, Creative Writing
Luangphinith, Seri I. – CEA Forum, 2011
This essay has been one of the hardest professionally to write as it documents some very personal and professional soul-searching that involved myself, many of my colleagues, and the students in our department over the span of four years. When I first presented our initial reform attempts at the 2010 CEA in San Antonio, much of this paper was…
Descriptors: Curriculum Development, Educational Change, Majors (Students), Rhetoric
Kraver, Jeraldine R. – CEA Forum, 2011
Integrating writing instruction into the content-area classroom poses a variety of challenges for instructors at all levels. Beyond the need to embrace a new skill set involving writing instruction, there is the resistance of students (and faculty) who find a disconnection between content-area and literacy learning. Developing a method for…
Descriptors: Literacy, College English, Writing Instruction, English Instruction
Standley, Fred L. – CEA Forum, 1974
Describes some of the beneficial effects of studying the heritage embodied in Afro-American Literature. (RB)
Descriptors: Black Literature, Cultural Background, English Instruction, Higher Education
Drake, Robert – CEA Forum, 1974
A teacher of creative writing discusses some of the problems students encounter in writing fiction and suggests the teacher's role is to provide a stimulating climate. (RB)
Descriptors: Creative Writing, Fiction, Higher Education, Teacher Role

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