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Showing all 9 results
Juntunen, Marja-Leena – British Journal of Music Education, 2014
The purpose of this study was to examine the visions of teacher educators of instrumental pedagogy (n = 12) in higher music education regarding "good" teaching and instrumental student teacher preparation. The theoretical basis for the study was research on teachers' visions (Hammerness, 2006): teachers' own conceptions of…
Descriptors: Teacher Educators, Teacher Attitudes, Foreign Countries, Music Education
Mok, Annie O. – British Journal of Music Education, 2014
Learning-practices of popular musicians are a prominent theme in Western music education literature; however, there appears to be a shortage of such literature in Asian countries. With the aim of comparing East and West, a qualitative study was conducted to investigate the learning-practices and involvement in music of Hong Kong popular musicians.…
Descriptors: Musicians, Music Education, Asian Culture, Western Civilization
Park, Hyu-Yong; Kim, Mi-Jung – British Journal of Music Education, 2014
Affordance refers to the properties or designs of a thing that offer the function of the thing. This paper discusses the affordance of Braille music in terms of three notions: mediational means, mastery and appropriation, and focuses on answering the following three questions: (i) How do musicians with visual impairments (MVI) perceive Braille…
Descriptors: Braille, Blindness, Visual Impairments, Music Education
Einarsdottir, Sigrun Lilja – British Journal of Music Education, 2014
The purpose of this paper is to demonstrate how amateur choral singers experience collective group support as a method of learning "art music" choral work. Findings are derived from a grounded-theory based, socio-musical case study of an amateur "art music" Bach Choir, in the process of rehearsing and performing the Mass in B…
Descriptors: Singing, Music Activities, Music Education, Grounded Theory
Swain, Nicola; Bodkin-Allen, Sally – British Journal of Music Education, 2014
Singing is an important part of teaching for early childhood teachers. However, some teachers find this difficult and may even identify themselves as "tone-deaf". We invited a group of early childhood teachers who self-identified as "tone-deaf" to participate in a study to investigate their beliefs and behaviours about singing…
Descriptors: Foreign Countries, Singing, Early Childhood Education, Preschool Teachers
The Formation of "Hip-Hop Academicus"--How American Scholars Talk about the Academisation of Hip-Hop
Soderman, Johan – British Journal of Music Education, 2013
Social activism and education have been associated with hip-hop since it emerged in New York City 38 years ago. Therefore, it might not be surprising that universities have become interested in hip-hop. This article aims to highlight this "hip-hop academisation" and analyse the discursive mechanisms that manifest in these academisation…
Descriptors: Popular Culture, Music, Cultural Context, Music Education
Partti, Heidi; Westerlund, Heidi – British Journal of Music Education, 2013
This qualitative instrumental case study examines collaborative composing in the "operabyyou.com" online music community from the perspective of learning by utilising the concept of a "community of practice" as a heuristic frame. The article suggests that although informal music practices offer important opportunities for…
Descriptors: Music, Music Education, Musical Composition, Case Studies
Oakland, Jane; MacDonald, Raymond; Flowers, Paul – British Journal of Music Education, 2013
This study presents a qualitative investigation into the effects of enforced occupational change on a professional musical identity. Interpretative Phenomenological Analysis (IPA) is used to explore the meaning of redundancy for six professional opera choristers. The paper highlights aspects of career disruption that are unique to singers who make…
Descriptors: Self Concept, Qualitative Research, Phenomenology, Career Change
Bresler, Liora – British Journal of Music Education, 2009
Based on my own research education courses for doctoral students, I examine the ways in which music provides powerful and rich models for perception, conceptualisation and engagement for both listeners and performers, to cultivate the processes and products of qualitative research in the social science in general, and in music education in…
Descriptors: Music Education, Qualitative Research, Educational Research, Social Science Research

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