The Writing and Learning Mentor programme (WLM) at University College London (UCL) supports a cross-disciplinary network of PhD students who act as writing mentors to students in their departments. WLM also offers the mentors a space in which to reflect on their own writing practices. The focus of this article is our work with the mentors and…

This article was given as a keynote address to the 2009 conference of the European Association for the Teaching of Academic Writing (EATAW), 30 June to 2 July, at Coventry University, UK. It draws on experiences at Queen Mary, University of London, of developing a "writing in the disciplines" initiative and of working towards institutional…

As Lecturer of Speech in the Institute for Writing and Rhetoric at Dartmouth College, I have joined an ongoing conversation about speech that spans disciplines. This article takes a step back from looking at communication across the curriculum as a program and instead looks at one of the earliest stages of the process--conversations about speech…

The most successful historical arguments are expressed in a voice unmistakeably the author's own, yet this numbers among the most difficult skills to accomplish. In this article, I discuss a series of seminars which I ran in University College London's History Department in order to help undergraduate historians develop their authorial voice. Some…

This article reviews a writing-intensive course on nineteenth-century aesthetic prose devised for the undergraduate curriculum of the School of English and Drama at Queen Mary, University of London, and considers the results to date. Using examples of students' coursework, the article examines the use of logbooks and creative exercises, considers…

This article challenges the predominance of modularization across the UK university system, arguing that the fragmentation of the learning experience which results from this model undermines the possibility of a disciplinary understanding. It proposes instead a practice of imaginative writing which, by engaging students' experience, interest and…

How do institutions and their writing faculties see basic writers? What assumptions about these writers drive writing curricula, pedagogies and assessments? How do writing programs enable or frustrate these writers? How might course design facilitate the outcomes we envision? This article argues that, in order to teach basic writers to enter…

The contemporary art college makes a broad range of media available to students, from which writing is conventionally excluded. Writing entered the art college curriculum in the 1960s as a "frame", or means of integrating art and artists into an academic framework, rather than as a medium of potential study. Drawing on the philosophy of Vilem…

The US field of composition studies and the subfields of writing across the curriculum and writing in the disciplines have focused on the relationships between teaching, language and knowledge. The Dartmouth Institute for Writing and Rhetoric develops these relationships through courses in writing and speech, student support and faculty…

In order to write successfully, students need to understand what it is they are expected to write, why it is written in a particular way and the form that the final text should take. Linguistics research indicates that the ubiquitous essay and report conceal significant disciplinary variation. Educational research reveals variation with regard to…

This article explores the implications of new public sector "reforms" for the culture of higher education. It argues that a culture of carelessness, grounded in Cartesian rationalism, has been exacerbated by new managerialism. The article challenges a prevailing sociological assumption that the character of higher education culture is primarily…

Can civic engagement become a "core business" of the contemporary university, or is it an attractive "add-on" that is not affordable in the current economic climate? Contemporary universities often play an important role in local community development and, as such, have the opportunity to develop civic engagement strategies to sit alongside…

This article reports the outcomes of an exploratory small-scale study to compare lecturer and student conceptions of critical reading at a research-intensive UK institution. Analysis of lecturer and student interviews in four humanities subjects suggests differences in the way lecturers and students conceptualize and articulate the practices of…

There has been much discussion in this journal of the development of the scholarship of teaching and learning. Indeed the effective enhancement of teaching and learning is more likely to take place when generic lessons are contextualized within the language of the discipline, and adapted to the needs of the students. We describe here a study of…

We are all creative now. Where once creativity was thought to be the preserve of the arts and humanities, we now find creativity has become a ubiquitous aim of higher education in the twenty-first century. Our ills will be resolved as long as we can release our latent creativity and perform. The discourse of higher education strategic management…