Presents a collection of cantankerous opinions criticizing political correctness, abstract art, sympathy for AIDS sufferers, and arts advocacy. Contains a briefly coherent passage advocating serious and rigorous formal study. The rest amounts to little more than a conceptual mapping of rancorous reactions to the current state of affairs. (MJP)

Proposes an extension of the arts education/business community relationship moving beyond issues of patronage and support. Maintains that the complexity of the 21st-century economy and society will be well served by the flexibility and creativity manifested in arts education. Recommends national goals and standards for arts education. (MJP)

Considers the interrelationship between ownership and manipulation of information, arts education, and the expansion of electric and information sources. Explains various ways that information can be controlled or restricted. Discusses problem areas of copyright and access and includes several suggested approaches. (MJP)

Introduces the symposium on arts integration in other countries. Provides brief summaries of the papers included and biographical information on the authors. Authors include Andre Karpati and Emil Gaul on Hungary, Shifra Schonman writing from Israel, Gary E. McPherson discussing Australia, and David Best on England. (MJP)

Traces the history of the interdisciplinary approach to art education in Hungary. Begins with the acceptance of the Kodaly method in the 1970s during the communist regime. Continues with Hungarian independence and the adoption of the National Core Curriculum in the early 1990s. Includes a concise explanation of Hungary's educational system. (MJP)

Discusses the reasons for, and the reactions to, the marginalization of drama/theater education in the Israeli school system. Curricular reform introduced in the mid-1980s resulted in some improvement, however, school principal autonomy remains a major stumbling block. Recommends drama teachers seize the initiative and implement programs on their…

Presents a curriculum profile of arts education in Australia. The curriculum includes generic outcome statements organized around interrelated approaches. These include creating, making, and presenting, as well as arts criticism and aesthetics, and past and present contexts. The outcome statements range across eight levels of achievement. (MJP)

Criticizes the idea of grouping the arts together in a single curriculum. Argues that such practice further marginalizes arts education, makes it easier for administrators to cut one generic budget, and ignores the distinct characteristics of separate art forms. Cautiously supports integrated activities while adamantly condemning integrated…