How do those concerned about arts teaching in schools confront the fact that the arts disciplines are often designated as basics, but often not treated like "real" basics? The following questions may be useful in seeking a way forward regionally, nationally, and especially locally: (1) What do we do about these two facts: (a) many proposals…

At present, there appear to be only two prerequisites for entry into a music teacher education program at most institutions: a minimum academic grade point average and sufficient musical competence to be admitted to the school of music. These seem overly minimal, and serious suggestions have been made regarding additional essential requirements.…

In 2001, the U.S. government allocated $4.5 billion to after-school programs through the 21st Century Community Learning Centers (21st CCLC) grant directed at high-poverty, low-performing schools. Since 2003, 6,800 rural and urban public schools have been served around the country, at county, city, and district levels as well as some organizations…

In the popular media, American cultural, educational, and political life is portrayed as ideologically split down the middle. The split is often framed in terms of opposites by using the ideas and labels addressed by the author in this paper--traditional versus nontraditional, experiment versus the status quo, diversity versus homogeneity, change…

Teacher education in music has its strength in knowledge and skills but is lacking an emphasis on the general purpose of schooling, more attention to the student, greater flexibility in the requirements in music, a focus on scholarship in and out of music, and access to the remainder of the curriculum. In short, the research data in education do…

Approaches toward teaching art in schools and methods of teaching art vary according to the teachers' perceptions of the major goals. As the Israeli school curriculum does not set clear guidelines for art teaching, the teachers themselves are free to formulate their aims, curricula, and teaching methods. The purpose of this study was to…

The purpose of this article is to begin to articulate a model for collaborative arts integration curricula that honor the value of creative and critical thinking in the arts. It presents both challenges and possibilities in collaborations between arts and nonarts organizations and teachers by examining two collaborative programs: (1) A Theater…

This article explores the needs, methods, and benefits of reconceptualizing art education teacher preparation from the enterprise of the university alone to a more collaborative model involving the university, primary and secondary public schools, and local and global communities. The goal of such a shift is to develop opportunities for preservice…

In 2004, the National Center for Education Statistics (NCES) released evidence that points to arts and music teachers possibly being greatest at risk for leaving their current teaching positions. In classifying teachers as stayers, movers, or leavers, the NCES found arts and music teachers to be the highest of all assignment areas of teachers who…

In this era of accountability, policymakers view professional development as the key to increasing teacher quality and correspondingly improving student learning. A recent survey of state requirements for teachers reports that thirty-nine states fund professional development programs, forty states have published specific professional development…

Since the dawn of time, human imagination has resulted in creating extensions of self (that is, tools) as a means to overcome obstacles produced by genetic limits. Whether the tool extends thought or sense; whether the tool is organic, such as language, or inorganic; and whether electronic, digital, or analog, the artist plies the science or…

In-service professional development in education began informally in the early nineteenth-century as a means of disseminating classroom management techniques, specifically addressing ways in which corporal punishment could be delivered to a child without inflicting serious injury. This initial effort paralleled a concern regarding children's…

Students' interests in and access to disciplinary study in the arts have increased dramatically over the past fifteen years. This is due in large part to steady growth in K-12 arts programming during the 1990s, when policymakers came to view arts instruction as part of an effective response to concerns about the quality of America's schools. Arts…

Numerous incidents have been reported in recent years wherein a work of art is mistaken as trash. The question is, how have people reached the point in the civilized world where a purported work of art cannot be distinguished from a pile of rubbish or a grid of condensation pipes? The answer to that question lies in the basic assumption of nearly…

As part of the author's graduate studies in the art education program at the University of New Mexico, he conducted a small research study on issues related to New Mexico's educational policies. His interest was motivated by the lack of attention paid to the policy and legislation that affects the art education field in his state. The author…