This article is a response to Shuler's 2001 article predicting the future of music education. The respondent assesses Shuler's predictions, finding that many have come true but critiquing Shuler's overall positive assessment. The respondent then goes on to make one prediction about the future of music education: that algorithms will…

Changes in education policy--particularly at the federal and state levels--during the current era of ideologically and profit-driven "education reform" threaten balanced education in general and music/arts education in particular. Emerging answers to a number of pivotal questions will determine the future of the arts, arts education, and…

In considering how policy work might forward arts education, it is helpful to reflect on the present state of music and arts education while looking ahead at future challenges and possibilities. This response to Shuler's (2001) set of predictions related to music education and policy in the twenty-first century addresses such work in the…

Predicting the future is a challenging task for music education, requiring both retrospection, analysis of current events, and foresight. This article examines several predictions from 2001 and challenges music educators to consider factors that may influence the future of teaching music in society.

President Obama recently described America's current economic, societal, educational, and technological circumstances as "our generation's 'Sputnik' moment." If history repeats itself in the twenty-first century, music educators may face a situation similar to that which developed in the 1960s concerning the impact of education reform on music…

The relationship between music education and physical education has often been portrayed as a competition for financial resources, student enrollment, instructional time, and community support. This article instead explores commonalities between the two disciplines, including their histories, curricular debates, shared concerns, mutual challenges,…

In this paper, the author asserts that current efforts to transform art education into visual culture studies (VCS) constitute a deeply disturbing educational trend. She asserts that, much like the now largely discredited developments in literary studies of recent decades (whose bankruptcy it apparently ignores), this movement aims quite…

Addresses what arts education may be like in the future. Explains that the arts are context bound. Discusses individual cases of present visual experiences. States that the key concern in the future will be the quality of the arts experiences that students receive. (CMK)

Focuses on what music education will be like in the year 2050. Addresses issues such as: technology's impact on music, cognitive science's role in music education, the effects of changing delivery systems, and the relationship of music and the elderly. Highlights the next half century's impact on music education. (CMK)

States that the arts education disciplines, such as music education, have changed but have not improved overall. Explains that music education has to define its discipline and focus on the history of music education. Addresses the vision of school music in the year 2050. (CMK)

Evaluates the report "The Quiet Evolution: Changing the Face of Arts Education," which documents the results from the evaluation of the Regional Institute Grants. Examines the evaluation protocol. Asserts that the report should have addressed forward-looking reappraisals. Addresses the influence on arts education of emergent models of cultural and…

Explores time, distance, focus, and excellence within the context of art and arts education policy and the relationships among them. Raises several questions for policy makers related to attracting/keeping arts teachers, helping students learn the unique lessons of art, and maintaining necessary policy positions in a dynamic environment. (CMK)

Provides a speech that was presented to the National Art Education Association national convention on March 26, 1999, that focused on (1) the changes in art education; (2) the disappointments and lessons learned from failed attempts at innovation; and (3) the issues that will be faced in the future of arts education. (CMK)

Contends that arts education advocacy statements should be consistent and representative. Argues for generalizable and reliable arts education research that uses a variety of methodologies and examines more than instrumental outcomes. Discusses the ends advocacy and research serve in arts education policy and curriculum and provides…

Addresses the National Art Education Association's (NAEA) visual arts research agenda focusing on the creation of the NAEA Task Forces. Describes the leadership style undertaken in the task forces and offers summaries of seven of the eight NAEA task forces' activities and accomplishments. Discusses other NAEA research initiatives and…