This article provides a brief review of generally accepted ideas about creativity, followed by examples of music teachers teaching creatively and teaching their students to be more creative. Implications for teacher education and policy recommendations for music education are discussed.

Individual creativity is ubiquitous. New technologies both enable and urge fresh approaches to creativity in the context of education. University-level education offers a natural place to adjust pedagogical structures in favor of a more individual approach to learning that organizes the intellectual community into new patters of interaction and…

Self-assessment can play an important role in teachers' personal and professional development and is encouraged by educational programs worldwide. This article reports on a Greek study that aimed to investigate generalist preservice kindergarten teachers' self-assessment of their music teaching ability. One hundred participants were asked to…

The purpose of this study was to construct a profile of K-12 music teachers in the United States and develop a model to predict their retention, turnover, and attrition. Responses to the "Schools and Staffing Survey" from 47,857 K-12 public and private school teachers, including 1,903 music teachers, were analyzed using comparative statistics,…

The author investigates the condition of a public school's arts education program under the No Child Left Behind (NCLB) Act and obtains teachers' perspectives on their experiences under the federal policy. The author used qualitative and quantitative approaches to conduct a case study of an Ohio public school district. The data collected revealed…

Profound differences exist between the ways in which arts educators and artists personally value the arts and the rationales offered via arts advocacy campaigns for public arts support. The author argues that those discrepancies carry grave consequences for K-university arts education. The author describes means by which to better reconcile…

In this article, the author opines that modernist and especially postmodernist irony has gone beyond its traditional satirical function of deflating falsehood and exposing pretense. Because of certain historical complexities, irony has evolved in such a way that it has become the enemy of genuine open-mindedness. Among some American intellectuals,…

The historical development of early childhood music education (ECE) in Kenya reveals the challenging circumstances under which it has, and continues, to progress. Poverty remains the most formidable hindrance to the success of this area of education. Multiculturalism, the mosaic that defines Kenya's rich heritage, also demands ingenuity from…

At present, there appear to be only two prerequisites for entry into a music teacher education program at most institutions: a minimum academic grade point average and sufficient musical competence to be admitted to the school of music. These seem overly minimal, and serious suggestions have been made regarding additional essential requirements.…

Maintains that western civilization's emphasis on dualistic thinking combined with a tendency to favor the cerebral/rational over the physical/emotional has resulted in music education stressing theory over the experiential pleasure of music. Synthesizes a number of influences into a more balanced set of universal principles for music education.…

Provides a thorough examination of the process through which the Canadian Society for Education through Art (a volunteer organization) developed a comprehensive national policy and their efforts at implementation. Discusses the considerations, politics, and controversies involved in policy positions regarding teacher education, multicultural…

Explores the beliefs, assumptions, and values held by a group of Canadian music educators about the supports and barriers facing their programs. Assumes that educators' knowledge is socially constructed as well as holistic and mythic. Identifies four myths (aptitude and achievement, talent, process, and equal opportunity) that influence music…

Summarizes data extracted from a national survey of Canadian provinces concerning educational policy towards arts education. Discovers greater centralized control in the more populous provinces with the remote areas ceding authority to local boards. Different provinces appear to conceive of the arts in significantly different ways. (MJP)

Proposes several philosophical, aesthetic, and sociological foundations for the promotion of Canadian music education. These include approaches incorporating ideas from naturalism, idealism, realism, and pragmatism. Provides a broad discussion of the social, cognitive, and educational functions of music and their adaptability to interdisciplinary…

Maintains that the way arts education assessment, outcomes, and standards are specified has the potential to shape arts education both positively and negatively. Argues that current approaches are fragmented, decontextualized, and inefficient. Recommends a holistic approach combining discipline-based art education with a more intellectually…