The aims of educating for economic, cultural, and pedagogical purposes have existed since the early inception of art education. Looking at how and why these aims evolved in the early era of art and design education has potential for better understanding how and why design should be incorporated into the art education curricula today. This article…

Videogames represent one of the fastest growing and most influential forms of contemporary visual culture. In this article, the author looks to five aspects of current videogames: perspective, interactivity, interface, narrative, and time and movement. Each of these videogame modalities is analyzed as related to a wide range of popular media,…

The Octagon Mound in Newark, Ohio was named one of the 70 wonders of the ancient world (Scarre, 1999), and yet today, this American Indian spiritual space is occupied by a private country club whose golf course winds around the mound. This article describes Indigenous, colonial, and academic voices regarding mound access issues and community-based…

This article begins with the premise that art education should engage with forms of popular visual culture in the art classroom so that students can better understand, evaluate, and critique the world around them. The researcher argues that studying video art with students offers a valuable approach to critiquing film and television, among other…

This article explores the following question, posed in the call for submissions to this special issue, dealing with significant 21st-century debates for art education: "How can art educators embrace non-certified individuals who teach art in various settings such as craft stores, after-school programs, and community centers?" While the question…

In this graphic representation, two characters/caricatures discuss, contemplate, and fantasize the history of the field of art education, its current state, and future manifestations. The conversation is illustrated around the possible reconceptualization of art education. Through text and visual metaphors, the philosophical beliefs, theoretical…

Although the argument for art as cognition has gained significant momentum since the cognitive revolution, recent scientific investigations of cognition have revealed the import of social and emotional thinking for meaningful, contextualized learning, thereby highlighting the inherent social and emotional properties of artmaking as inevitably…

Artist Ad Reinhardt's 1991 prediction of the "Future of Art" can be interpreted as the condition of art education in 2010. He writes, "The next revolution will see the emancipation of the university academy of art from its market-place fantasies and its emergence as a center of consciousness and conscience." The focus in the fields of art and art…

Although educators believe in the importance of dialogue and dialogic encounters, and often propose to engage their students in "discussion," dialogic communication is rarely used in the classroom. Rather than through relational and substantive conversation, most educational dialogue in public schools is limited to telling, asking one-way…

This 12 minute DVD features the voices of leaders from organizations such as the National School Boards Association, the American Association of Colleges of Teacher Education, the Ford Foundation, National Association of Elementary School Principals, Young Audiences, and more. AEP created this DVD for partnership organizations to use in advocacy…

This research and policy brief draws on the experiences in five states, each of which has been the subject of a comprehensive arts education survey in recent years. The states are Illinois, Kentucky, New Jersey, Rhode Island, and Washington. Distilled from the "lessons learned," the brief provides 20 principles designed to inform and guide new and…

This article focuses on a number of research projects produced by members of the Center for the Study of Education and the Musical Experience (CSEME). Written over a fifteen year span, the studies were linked by a common topic--music listening. Each study explores a distinctive aspect of music listening, and together, they have generated a more…

Music education is not just about learning to perform with voices and instruments; it is about guiding students toward understanding music, what it is, how it works, and what it does to and for human beings. One of the goals often expressed for music education is the nurturing of students' creativity, and opportunities for students to express…

In this article, the author contends that in order to fulfill music education's purpose of developing a child's capacity to make and experience music, attention must be paid to developing listening in performance ensemble classes. Music educators cannot assume that being involved in the refinement and performance of music contributes to becoming a…

In general, music listening is often ignored in music programs. When it is taught, it is often in ways that require students to circle the correct answer or identify the instruments. Rather than engaging students' musical minds in intuitive ways, this approach is more a drill in deductive reasoning strictly structured by the teacher. Such learning…