Spatial mapping is a category system for directly observing instruction in art classrooms. A rationale for studying the spatial dimensions of teaching is presented, how to train observers is explained, procedures involved in a mapping episode are described, methods for analyzing data are suggested, and examples of instruments are presented.…

The major issue in the elitist-populist controversy is what art works should be included in the curricula. Elitists defend the choice of exemplary art pieces as instructional materials; populists find this advocacy of exemplars intolerably restrictive. The three major arguments embedded in the populist position are critiqued. (RM)

The author critiques Smith's assertions that (1) there is such a thing as elitism in an educational context, (2) artwork can engender a heightened experience and (3) the careful choosing of exemplary pieces of art as instructional materials for art education is necessary to help students achieve the aesthetic experience. (RM)

The central policy issue in the elitist-populist controversy is what works of art are to be included in curricula. Elitists defend the choice of exemplary pieces of art as instructional materials; populists find this advocacy of exemplars restrictive. How the choice of aesthetic exemplars constitutes a curriculum issue is discussed. (RM)

Discussed are historical methods, adapted from genealogy, that will help the field of art education locate art educators or their descendants who might have documents or notes that would aid in painting a more accurate picture of art education in the 20th century. (RM)

Discipline-based curriculum development efforts in art seek to translate Barkan's theoretical recommendations into practice. One such effort--the discipline-based art education framework of Greer--is discussed. (Author/RM)

The process of developing an elementary art curriculum intended for national distribution is described. Emphasis is on the theoretical and practical criteria employed in making curriculum decisions. (Author/RM)

If art education is to be a required subject, it needs validation. Needed is an art curriculum development project, similar to 1960 projects in math and physics, that is sponsored by an agency respected both by the academic and school establishments and by the general public. (Author/RM)

This article (1) discusses the characteristics of discipline-based art education; (2) compares these characteristics with those of current practice in the public schools; (3) examines the national standards for art teacher education programs; and (4) makes recommendations for changes in art teacher education programs. (Author/RM)

The potential of electronic media for art education is examined. Discussed are computers, video recorders, interactive video discs, and two-way cable television. Emphasis is on laser videodisc technology. What changes must occur in the educational system to accommodate technology and discipline-based art education are also discussed. (Author/RM)

The discipline-based view of art education requires that students progress in all of the four domains of art learning: art history, art criticism, aesthetic appreciation, and creative production. Evaluation methods in each of these domains are discussed. (RM)

A Canadian art educator remarks on three aspects of discipline-based art education (DBAE): (1) the nature and scale of the Getty Institute for Educators on the Visual Arts; (2) perceived problems in the development and implementation of DBAE projects currently under way; and (3) the possibility of establishing DBAE. (Author/RM)

Serious arts education should begin early and continue. Five regional conferences on arts education reinforced the necessity for defining educational goals and realizing them through curricula, resources, and evaluation. To be effective, the National Endowment for the Arts must act in partnership with those immediately involved in arts education.…

Discussed are the fundamental principles and the origins of discipline-based art education. (RM)

Describes a cognitive approach to arts education developed by Harvard Project Zero, highlighting a classroom application project, ARTS PROPEL. Incorporating the competencies of production, perception, reflection, and learning, the project has developed a set of assessment instruments which can document artistic learning during the late elementary…