Asserts the necessity of developing a U.S. audience educated to appreciate classical music. Discusses a number of innovative programs across the country designed to increase audience participation and appreciation. Proposes implementing outreach and education courses in professional music schools. (MJP)

Provides an in-depth look at the National Standards for Art Education and attempts to correct some of the misconceptions associated with them. Articulates a number of the objections and concerns regarding the standards. Answers each objection with a thoughtful response. (MJP)

Utilizes the statistical procedure of meta-analysis in a quantitative review of art education research literature. Discovers that art education is more effective in producing results concerning aesthetic perception than visual-spatial ability. Discusses possible implications of the study and recommends further combination of quantitative and…

Examines the complex interactive set of conditions that influence artistic production and frame the way interpretations are constructed. Uses a software system to index qualitative material (interview transcripts, field notes, reviews, and commentary) and analyzes this material in terms of emerging themes. Includes comments from the artists. (MJP)

Analyzes the teacher-child talk during art activities conducted by two Australian and two Asian teachers in four Australian child care centers. Discovers differences in the use of the evaluative subcategories repeat and rephrase. Includes transcript samples of the conversations. (MJP)

Criticizes the traditional approach to art education that emphasizes formal properties such as line, color, and shape. Proposes that teachers develop student abilities to go beyond the visual level of artworks and gain access to the complexity of meanings that art possesses. Includes contemporary art examples and corresponding analyses. (MJP)

Analyzes the art criticism of nine university art education students writing about the work of Robert Rauschenberg. Identifies the students' use or nonuse of thematic unity, intertextuality, opposition, and description. These thinking strategies are primarily found in the works of three professional art critics. (MJP)

Describes a project where an exemplary art educator's class presentation was recorded on videodisk along with background information and a personal interview. The lesson plan and other instructional materials are entered in hypertext. The two are combined in an integrated multimedia program organized under instructive, hypertext headings. (MJP)

Presents the results of a statewide survey of Kansas art teachers. Teachers revealed that Discipline Based Art Education had little influence on them. Primary areas of concern were lack of funding and low status of art programs. Includes statistical analysis of the relationship between teaching experience, level of education, and teaching…

Argues that cultural invisibility happens to anyone who does not contribute images to the world or who does not vigorously critique pictures. Discusses the photography of Jo Spence and Judith Golden who expose the invisibility of those considered plain (old, sick, and female). Links this argument to assumptions about art education. (DSK)

Surveys television cartoons for preschoolers to analyze how they present the female gender. Finds that infant, shrew, eccentric, mother, frump, vamp, and twin role models dominate; argues that these stereotypes limit children's imagination of other possibilities. Notes that the repertoire of female characters seems to have become more…

Argues that social class, race, gender, and sexuality are often unexplored in art education. Discusses the invisibility of elderly women's art due to aesthetic preferences for originality; racism as an invisible, institutionalized system; and the invisibility of discourse concerning homosexual world views embedded in gay and lesbian art. (DSK)

Argues that social change can be evidenced in the absence of an image. Discusses how murals painted by children 50 years after the bombing of Hiroshima and Nagasaki do not depict "the bomb," but it pervades the murals nonetheless. Shows that viewers draw unintended analogies between the images and the bombings. (DSK)

Studies the development and implementation of a six-week curriculum to expose denigrating Appalachian Mountain stereotypes and supplant them with images that children create after investigating their West Virginia mountain cultural history of oppression and rebellion. Bases the development of the curriculum on multiple conceptions of multicultural…

Argues that illusion is the separation between belief and knowledge; "trompe l'oeil" works by delaying knowledge so that belief supersedes. Presents five lessons: two concern "trompe l'oeil" and its ability to present believable illusions, the other three build on these, emphasizing illusionism, film, and aesthetics in relation to morality. (DSK)