Describes a method used to acquaint art students with their painting subjects. The method requires students to study the subject closely and to make thumbnail sketches of details before they start to paint. Concludes that artists must observe their subjects closely to make the finished work believable. (GEA)

Examines the use of an art exhibition to help students fully develop their potential as artists. Describes how students gain new insights into their work as they prepare it for exhibition. Discusses three programs which demonstrate the value of exhibitions to school children and includes pictures of student work. (GEA)

Discusses the advantages of academic games and simulations in art education. Provides information on developing academic games and simulations and includes an example. Concludes that these strategies not only broaden the range of instructional approaches, but enhance the learning that results from the study of art. (GEA)

Describes a lesson plan used to introduce K-3 students to a Canadian Inuit artist, to the personal and cultural context of the artwork, and to a simple printmaking technique. Includes background information on the artist, instructional strategies, and a print of the artist's "Young Owl Takes a Ride." (GEA)

Uses a print of Homer's painting, "The Fox Hunt," to introduce students in grades 4-6 to paintings of wildlife as both factual record and as a storytelling medium. Includes learning objectives, instructional strategies, and background information on the artist. (GEA)

Uses a print of Bonheur's "Studies of a Fawn" to introduce students in grades 7-9 to the artist's working method and to examine the subject matter of the sketch from a contemporary point of view. Includes student learning objectives, background information on the artist, and instructional strategies. (GEA)

Uses a print of a T'ang Dynasty tomb figure to acquaint grades 10-12 students with the tools needed for developing aesthetic judgement and artistic criticism. Includes background on the artwork and instructional strategies to help students describe the object, analyze the artmaking process, and formulate their own opinions. (GEA)

Compares the use of a laser videodisc system in the art classroom to the use of a standard slide projection system. Describes the three levels of interactivity that are possible and discusses methods of use, product availability, and equipment cost. (GEA)

Discusses the problems encountered by adults who are beginning artists. States that a teacher's failure to recognize these problems can adversely affect creative behavior and enjoyment of art. Describes the Hoffman Scale of Visual Interpretation and considers its use in the positive reinforcement of these beginning artists. (GEA)

Proposes six guidelines for art educators working with mentally and physically challenged children and youth. Discusses the use of a multicultural approach to art education and age-appropriate materials. Concludes that these guidelines will provide mentally and physically challenged youth with improved opportunities to learn art. (GEA)

Demonstrates the need for artistic outlets for the elderly and briefly describes art education programs that fulfill this need and the problems facing these programs. (AEM)

Describes the uniqueness of older artists, showing how art fulfills the needs of the elderly in the areas of work, leisure, and self-expression. States that art also provides an avenue for providing social acceptance, a product for posterity, and a dream to work toward. Contains 11 photographs. (AEM)

Focuses on Mohammed Ashraf's traditional Pakistani lacquerwork, describing his techniques and noting distinguished audiences of his craft. Indicates modernization is a threat to the future of traditional crafts in Pakistan. (AEM)

Traces the development of an art program for the Amarillo, Texas, Senior Citizens Association. This program, the Arts and Creative Skills Area, funded by Amarillo College, has associations with community art groups and shows and receives support from the recently established Senior Citizen Task Force on the Arts. (AEM)

Presents a lesson plan uses Edward Hopper's painting entitled "November, Washington Square." The lesson illustrates, for students in grades K-3, the ways an artist interprets the city in which he or she lives. Includes suggestions for classroom activities. (AEM)