Introduces students in grades 10-12 to photo-realism and the work of Ralph Goings. Observing the work "Collins Diner," students discover the elements of photo-realist work and how it differs from other art movements. Includes instructional strategies, student activities, and background information on the movement and the artist. (GEA)

Discusses the development of art education since World War II, arguing for a return to a disciplined teaching approach which would deemphasize rote memorization of the "masterpieces" for testing purposes. Instead, it would focus on the attention, passion, and play that comes from making and responding to art. (GEA)

States that Eisner's explanation of discipline-based art education is ambivalent about goals and pedagogical practice. Contends that the art educator's task is to enrich the student's understanding of various themes dealt with by artists throughout time so that they can share in these ideas. (GEA)

Art teachers and special education teachers should form a new alliance to become a new "dynamic duo." Because of the very concrete nature of art, children who have trouble with the abstract often find art experiences appropriate vehicles by which to understand and to learn. (Author/RM)

Art teachers should create individualized learning programs for their students. Such art programs can assure personalized programs for disabled students and elevate the development of basic skills in art, artistic expression, and art appreciation. (Author/RM)

Arts and crafts education opens up the creative ambitions of hearing-impaired children, cultivates their ability to express themselves, strengthens their organizational ability, helps them develop visual and tactile sensitivity, and increases their interest in learning. Self-respect and self-confidence are the result. (RM)

Studying photography helped bring about positive behavior changes in high school students with severe behavior disorders. Because the students were most interested in and impressed with the technology of photography, technical aspects of photography were emphasized in the course. A course outline is included. (RM)

A teacher describes what happened when she discovered that a blind student had been mainstreamed into one of her fifth-grade art classes. (RM)

Characteristics of different kinds of disabled children, including mentally retarded, neurologically impaired, emotionally disturbed, orthopedically impaired, visually impaired, perceptually disabled, auditorially disabled, and multiply disabled, are described. Approaches for teaching art activities to the various groups are presented and teacher…

The author looks back at the way she learned about art as a fourth grader in the 1930s and compares it to the sophisticated art programs of today. She concludes that she may have learned as much about art from just casual observation as art students do today. (RM)

The Reagan administration's art policy is elitist, because it calls for federal and private sector support for fine art experiences of, by, and for the select few. What is needed is a culturally democratic policy that would support the art preferences and art education of all the people. (RM)

Several avenues of communication that bind art education in the United States and Canada are described. Developments of mutual understanding have tightened the art education relationship between the two countries. (RM)

Alberta's (Canada) new 1984 elementary art curriculum, which is described here, has as its central focus the child as artist. It is concerned with having children think and behave as artists. (RM)

The process of curriculum development in art education at the provincial level in Alberta, Canada, is described. The interests, needs, and assumptions of five groups of stakeholders--government, the curriculum development committee, art teachers, students, and interested onlookers--are examined. (RM)

The process of curriculum development in art education by committee in Manitoba, Canada, is discussed. Four areas that affect curriculum development by committee are (1) initiation, ownership, and control; (2) selection and composition of the committee; (3) effect of the group process; and (4) cohesion and time factors. (RM)