Identifies the potential roles of art teachers, urban planners, and community groups in education programs that enable students to understand the built environment. Proposes a new branch of art education that stresses knowledge of the social and political context in which built environments are formed. Stresses the shaping of student…

Advocates ecological and normalizing approaches for teaching art to disabled students. Argues against a medical model by stressing that art education should not be designed to compensate for the behaviors and characteristics of a diagnosed disability. Refers to several programs which are based on these beliefs. (KO)

Describes, compares, and evaluates examples of first generation elementary and junior high curriculum resources which are based upon the discipline based approach to art education. Offers these as sound, sequential instructional materials that are useful in the areas of art history, art criticism, aesthetics, and art studio. (KO)

Presents the architecture of public buildings through a set of four lessons. (S. Talbot-Stanaway and Elizabeth Hornor). The lessons teach about the Oshkosh Grand Opera House in Oshkosh, Wisconsin; the Clayton County Library in Jonesboro, Georgia; the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania; and the National Gallery of…

Discusses the status of art education in British elementary and secondary schools and explains the two main routes to higher level art courses. Examines governmental fiscal policies as they affect all sectors of education, stating that while art, craft, and design are firmly established in the British curriculum, teachers must provide balanced,…

Describes changes in the British secondary school examination system, highlighting Dyson's contributions to the reform process. Recognizing that there are several ways to teach art history, Dyson considers the preparation of teachers, discusses the development of art history as an academic discipline, and specifically addresses the matter of art…

Discusses the status of fine arts in English higher education. Examines the relationship between fine arts and design education. States that fine arts education has professional relevance as a substantial number of graduates pursue careers which contribute to the wealth-producing sectors of the economy. (GEA)

Presents four lesson plans designed to teach K-12 students about ceramics and the artists using the medium. Each lesson is centered around one ceramic piece: (1) "Wall Clock," by the Chantilly Porcelain Factory; (2) "Poppy Vase," by Adelaide Robineau; (3) "Laughing Eyes," by Pablo Picasso; and (4) "Ceramic Drum Jar," by Tsayutitsa. (GEA)

Discusses the founding and growth of the Getty Center for Education in the Arts and its adoption of discipline-based art education (DBAE). Examines the need for teacher training and the development of curriculum and model programs for the implementation of DBAE as the approach becomes accepted nationwide as the new standard for art education. (GEA)

Confronts the criticisms of discipline-based art education (DBAE), particularly those claims that DBAE is too narrow and undemocratic in its choice of subject matter and its interest in students. Argues that when properly implemented, DBAE is not only more democratic than other approaches, but it also goes farther in developing students'…

Criticizes discipline-based art education (DBAE), as proposed by the Getty Center for Education in the Arts, as being too confining for classroom use. Considers DBAE to be too narrow and limiting for teachers and calls for new interpretations of a more interdisciplinary view of art education. (GEA)

Considers what discipline-based art education (DBAE) teaches through its implicit characteristics and basic assumptions. Argues that DBAE should not be evaluated in terms of any one curricular model because there are many possibilities for its presentation. States that DBAE does not need to present standardized content or limit study to artistic…

Offers a lesson plan to introduce students in grades K-3 to abstract art. Uses Frank Stella's painting "Hockenheim" as the basis for the lesson. Includes background information on the painting and the artist, instructional strategies, and student evaluation criteria. (GEA)

Uses a photograph of Michael Heizer's earthwork sculpture "Double Negative" to encourage students in grades 4-6 to discuss ways in which an artist may communicate ideas by creating ultra-large "landscape sculptures." Provides student objectives, background information on the artwork, instructional strategies, and evaluation criteria. (GEA)

Uses Gerald Murphy's painting "Watch" to encourage students in grades 7-9 to recognize design elements and principles in everyday objects and discover how shapes from such objects were combined in overlapping arrangements in the painting. Provides student objectives, background information on the artist and the paining, instructional strategies,…