Argues all humans are profoundly capable of learning about, appreciating, and making art. Points out that for decades educators have stressed a nondirective approach to elementary art education in order to encourage self-expression. Concludes this approach should be re-examined; that art educators must constructively criticize children's art and…

Presents a lesson on Roger Brown's 1974 piece of art entitled "Autobiography in the Shape of Alabama (Mammy's Door)." This lesson is intended to introduce students in grades K-3 to personal symbolism and analysis of art by a living artist. (BSR)

Using Tony Berlant's 1982 collage entitled "I," this lesson introduces students in grades four through six to the variety of materials artists can use when making a collage. (BSR)

Based on Jean-Francois Millet's 1869 painting, "The Knitting Lesson," this lesson's goal is to introduce students in grades seven through nine to genre (everyday life) painting the nineteenth century. The lesson is also designed to show that some aspects of genre may be timeless. (BSR)

Presents a lesson on George Wesley Bellows's 1910 painting, "Polo At Lakewood." This lesson is designed to introduce senior high students to the theme of genre painting. (BSR)

Discusses the textbook protest movement, highlighting themes and materials that have come under attack. Examines how art education might be affected by the movement and presents eight guidelines, adapted from the work of Ken Donelson, as quoted by Edward B. Jenkinson, for the safe selection of course material. (GEA)

Advocates the use of novels in art education to offer students insights into ways an artist sees the world and approaches an artistic task. Specifically discusses Colby Rodowsky's "Julie's Daughter," Zibby Oneal's "In Summer Light," and Elizabeth de Trevino's "I, Juan de Pareja" as young adult novels that focus on artistic endeavor. (GEA)

Offers an overview of the meaning and development of traditional Flemish and French still life painting. States that art history, as well as technical process, must be taught for discipline based art education to be effective. Describes Flemish still life classifications, eighteenth and nineteenth century French works, and still life symbolism.…

Examines the use of holography in the art technology program of a junior high school. Characterizing holography as a valuable artistic experience and discovery experience and stressing the importance of student interest and involvement, the author discusses the necessary equipment for the project and includes two diagrams of a holographic setup.…

Presents a lesson plan which uses a "haniwa" figure of a horse to introduce K-3 students to Japanese ceramic sculpture. Includes student objectives and background information on the Kofun Period in Japan (250-552 A.D.). Presents instructional strategies, evaluation criteria, and a photograph of the sculpture. (GEA)

Presents a lesson plan which uses Richard Tuttle's "Monkey's Recovery" to introduce students in grades four to six to contemporary nonrepresentational sculpture and to the critical discussion of the assemblage art-making process. Includes student objectives, background information on the artist, instructional strategies, evaluation criteria, and a…

Presents a lesson plan for students in grades seven to nine which examines the working methods of Deborah Butterfield's sculpture and its place in contemporary U.S. art. Includes a photograph of the sculpture, "Derby Horse," and provides background information about the artist, student objectives, instructional strategies, and evaluation criteria.…

Presents a lesson plan which uses Marilyn Levine's "Brown Boots, Leather Laces" to introduce students in grades 10-12 to naturalistic representation and the "trompe l'oeil" artistic tradition. Discusses Levine's background. Includes instructional strategies and student objectives, as well as a photograph of the artwork. (GEA)

Explores computer uses in art education, addressing the apprehension with which many educators view such technology. Discusses the graphics capabilities and user-friendliness of computers such as the Macintosh, Amiga, and Atari ST. States that computer versatility, simplicity, and graphic capabilities contribute significantly to art education and…

Proposes that art teachers become more informed about current research on art teaching and assume responsibility for initiating research on classroom teaching. States that teachers may (1) act as research subjects, (2) put research into practice, and (3) act as researchers. Discusses general considerations or conditions under which research can…