The authors' purpose in presenting this paper was to propose a rationale on the importance of developing and using behavioral objectives to improve student teaching experiences. (Author/RK)

Guidelines for talking about art with elementary students are presented. A critical factor in developing children's art talk experiences is an organized, well rounded, and well developed plan that recognizes the differences between talk about student art and more general talk about professional art. (RM)

Discussed are the goals of a unified national art curriculum: (1) developing visual perception, (2) developing visual literacy, (3) helping students discover and use their creativity, (4) teaching students to respond to personal experiences and their environments, and (5) refining skills in used art media. (RM)

Despite their handicaps, mentally retarded students are capable of creating art work that depicts their experiences or their relationships with others. Described are art lessons that involve handicapped students in using color and painting to express their ideas on paper. (RM)

The roles of teachers and therapists, when dealing with troubled students, are clarified. If an art teacher is not trained as an art therapist, he or she cannot assume responsibility for addressing the emotional needs of these types of students. (RM)

An outreach program for gifted upper elementary students developed at the Hirshhorn Museum is described. Objectives are to teach visual literacy, to present the materials using the inquiry method, to use art history and criticism to develop students' looking skills, and to encourage parents to attend classes and museum visits. (RM)

How art education was used in a girls' juvenile correctional institution to nurture and develop the self-esteem of these troubled youth is described. One of the most successful lessons was based upon discovery learning and dealt with pop videos. (RM)

The experiences of college students enrolled as majors in elementary education in designing art appreciation activities for use in elementary classrooms are described. The college students had no art background. (RM)

Presents two art lessons, the first of which introduces elementary students to Dutch still life painting and to the Dutch painter Claesz. The second lesson introduces intermediate grade students to still life as a subject for painting and to the possibility of personal interpretation by an artist, as shown in an O'Keefe painting. (RM)

The first art lesson helps middle-school students to understand characteristics, methods, and the historical significance of Cubist paintings as shown in Picasso's "Still Life with Compote and Glass." In the second lesson high school students learn about Cezanne's work and his relationship to the Impressionists and 20th century artists. (RM)

Five reasons art education is important for all students are discussed. They are: (1) art as basic education, (2) creativity, (3) aesthetic experience, (4) art appreciation, and (5) historical understanding. (RM)

The experiences of 11 gifted and talented adolescents who participated in a two-week summer microcomputer graphics course at Indiana University are described based on course observations by the author. Focus is on technical and aesthetic course expectations and on psychological and contextual considerations of the teacher and the students. (RM)

An overview of ways the microcomputer can be incorporated in existing art curricula is provided. Emphasized are the use of the microcomputer as part of studio art activities and the study of microcomputer art. A bibliography of software references is provided. (RM)

How task analysis--the reduction of skills needed to master a complex objective to sequential behavioral steps--can help art teachers meet the needs of handicapped learners is discussed. Rather than emphasizing activities for disabled learners, emphasis should be placed on the skills learners must master to complete the activity. (RM)

Mixing art lessons with reading is an excellent opportunity to utilize the resources and abilities of several different teachers. Learning that involves art experiences is more interesting and fun for children. Some strategies are discussed, and some existing art/reading programs described. (RM)