Discusses how the absence of a humanistic interpretation of arts education is affecting humanities in higher education and the leadership in arts education. Focuses on educational policy in arts education demonstrating that a remnant of humanistic interpretation can be detected in the "National Standards for Arts Education." (CMK)

Introduces articles from a symposium concerning art education policies in Australia, New Zealand, and Singapore. Explains that each of the authors present an overview of ideologies and trends for the respective countries over the past 40 years and examine how these trends affect the missions, agendas, and practices of arts educators. (CMK)

Highlights the issues that have shaped the way arts education is being practiced in Australian schools; in particular, how arts education is viewed in a cross-curricular perspective and how the arts relate to the key competencies and vocational education. Recommends that educators advocate the contributions each of the arts make to student…

Highlights the major changes in New Zealand arts education in primary and secondary education and the tertiary institutions focusing on the educational policies presented in the "Curriculum Framework,""Tomorrow's Schools," and "Learning for Life." Believes that the best result from the reform is the inclusion of Maori art and culture in the…

Investigates the development of arts education in Singapore considering the role of multicultural policies and the government. Indicates that the growing interest in the arts, due to increasing economic affluence, and the goal of making Singapore a "Global City for the Arts" spurred the further development of arts education. (CMK)

Reports on a survey of U.S. and Canadian graduate programs in art education. Examines responses from 124 programs to determine the location, scope, and nature of graduate programs in art education including the content and strategies that are addressed. Presents detailed findings and general conclusions. (DSK)

Urges a reassessment of research on graduate programs in art education produced by Anderson, Eisner, and McRorie (1998). Asks how master's programs centered on studio art will produce teachers capable of meeting new national standards, and how highly specialized doctoral programs will produce people capable of teaching K-12 instructors. (DSK)

Urges a reassessment of research on graduate programs in art education produced by Anderson, Eisner, and McRorie (1998). Suggests that a few key findings of the study may be overstated or, at least, underinformed. Emphasizes a number of key problems with art teacher education illuminated by the study. (DSK)

Asks how the "Art in America" radio programs illustrate the way educational mass media emerged from its forerunners of adult education, museums, libraries, and distance education. Discusses the precursors to the program, its production, the programs as education and as entertainment, and how listeners learned from radio. (DSK)

Seeks hard evidence from high school art teachers that a studio curriculum promotes global understanding and appreciation of artwork, including historical art. Indicates that studio experiences alone do not enhance students' ability to understand or appreciate well-known historical artwork but that including critical and historical inquiry…

Addresses critical aesthetic issues and concerns brought about by the advent of digital media. Utilizing a philosophical approach investigates the ways that computer-mediated art challenges existing Western aesthetic theory. Focuses on feminist aesthetic theory as a framework for reevaluating aesthetic concepts and criteria. (DSK)

Traces how broad, historical, conceptual frameworks established by Arthur Efland continue to be useful in categorizing contemporary arguments on the form of art education. Contends that many popular justifications for art education lack a solid epistemological rationale. Advocates an approach to art education as a study of reasoned perception.…

Argues that neopragmatism can provide art educators with theoretical perspectives to guide interpretations of works of art, pedagogy, and curriculum. Notes ways in which neopragmatist strategies would open art education to new forms of inquiry. Uses an analysis of Gerhard Richter's "October 18, 1977" to show how neopragmatic pedagogy would…

Aims to foster among art educators and students an awareness of how many contemporary artists are promoting ecological restoration. Grounds these artists' work historically, and discusses its view of humanity as interconnected with nature. Offers suggestions for involving art educators and students in ecological theory and artistic creation. (DSK)

Illustrates how historical art education metaphors objectify and stereotype the environment through landscape art. Proposes a new metaphor of art teaching, ecological pedagogy, as a means of critiquing stereotypes and of promoting compassionate and caring representations of the environment. Offers strategies for implementing an ecological art…