Provides comments by Samuel Hope, Janice B. Riddell, John J. Mahlmann, David Pankratz, and Constance Bumgarner Gee in response to the article in this issue of "Arts Education Policy Review" entitled "Looking at the Schools: Public Agenda Asks African-American and White Parents about Their Aspirations and Their Fears." (CMK)

Reviews information from a quarter century of surveys, focusing on such topics as the view of public funding of the arts, differences among group attitudes toward the arts, and support/opposition views on federal arts funding. Addresses problems with surveys and investments in data collection and analysis. (CMK)

Examines arts education policies in which serious flaws have been revealed. Focuses on issues such as the content standards for the arts, the importance of the National Assessment of Educational Progress, gateway policies for K-12 students, and arts study and college admissions. (CMK)

Addresses the ease with which teachers in subjects other than art incorporate design into their curricula. Considers the nature of design knowledge. Examines three of the visual arts standards from National Standards for Arts Education as a means for revealing the distance between art and design education. Offers four recommendations for art…

Presents results from two research studies, one using focus groups and the other using surveys, that explored the process and results of educating inservice art teachers in the Artistically Talented Program at Indiana University to become empowered and take on leadership roles. Describes the experience of empowering the teachers to develop their…

Describes the author's book, which offers a day-in-the-life account of six art teachers, and its theoretical foundations. Presents background information and personal profiles of the six teachers. Includes quotes from the teachers pertaining to the most important thing they teach, their frustrations, and the most satisfying aspect of their jobs.…

Examines the conceptions of educating beginning art teachers with specific reference to Canadian art education. Addresses the use of the visual journal, which demonstrates visual and verbal thinking, by preservice teachers at the University of British Columbia as a means to develop an artistic understanding of their growth as art teachers. (CMK)

Focuses on issues related to teaching African art to African American students. Asserts that inadequately prepared art teachers are teaching multicultural art curricula that perpetuate reproduction of an unequal social structure. Concludes art education scholars must redirect multicultural education and art teachers must be trained to adopt a…

Discusses four contemporary artists who use oral history in their art: Peggy Diggs, Tomie Arai, Sheila De Brettville, and Jackie Brookner. Argues that their use of oral history is empowering because it is sensitive to the relationship between researcher/artist and narrator. Outlines implications of using oral history in art education. (Author/PAL)

Discusses the actions and approaches advanced during the 1996 Summer Colloquium, "Art and Ecology: Interdisciplinary Approaches to the Curriculum." Illustrates how action-oriented inquiry makes learning relevant to all people through exploring the poetry of place. The colloquium identified community ecological issues that could be examined through…

Profiles a number of projects and activities enacted during the 1996 Summer Colloquium, "Art and Ecology: Interdisciplinary Approaches to the Curriculum." Participants created ecologically sensitive structures for pond life at a nearby wetland and attended a dramatic presentation about early mound dwellers performed on the site. (MJP)

Surveys the work of several ecological artists, describes their work, and includes a brief rational for their activity. Examines the artwork of Joseph Beuys in Germany, Andy Goldsworthy in Scotland, as well as Mierle Ukeles, Mel Chin, David Hanson, Ana Mendieta, and Helen and Newton Harrison in the United States. (MJP)

Provides four lesson plans using discipline-based art education techniques to examine the content and technique of a series of art works portraying Texas. The lesson plans use "mind mapping" (nonlinear visualization of a concept or idea easily linked to others). Includes background information on artists Bruno Andrade, Dennis Blagg, Betty Mobley,…

Describes "Site Omaha" an interactive public arts project designed to explore alternative art venues in the urban environment and to create a common link between artists and other community members. "Site Omaha" initiated innovative community arts projects. Provides a brief overview of urban environmental art. (MJP)

Describes an art education program that connects children and youth to the historical and contemporary issues associated with Yellowstone National Park. Originally conceived as a one-year celebration, the project has grown into a juried exhibit showcasing student art and writing which responds to Yellowstone resource themes and issues. (MJP)