Describes the characteristics of a balanced music curriculum and explores the music curriculum in Hong Kong secondary schools. Analyzes (1) results from a questionnaire that addressed teachers' perceptions of music education in Hong Kong and (2) interview data in which teachers explained their rationale for using a specific curricular orientation.…

Examines the legitimacy of claims (specifically the ability of the arts to serve myriad social, educational, and economic development functions) made by arts bureaucrats and advocates desperate to maintain the federal arts support structure. Scrutinizes the motives and consequences of these claims and explores their effects on elementary and…

Explores time, distance, focus, and excellence within the context of art and arts education policy and the relationships among them. Raises several questions for policy makers related to attracting/keeping arts teachers, helping students learn the unique lessons of art, and maintaining necessary policy positions in a dynamic environment. (CMK)

Introduces the symposium that explores the 1997 National Assessment of Educational Progress (NAEP) arts assessment. Provides information on NAEP, the arts assessment, and its importance; a discussion on the results of the arts assessment; and interpretations and implications of the results. Offers suggestions for arts advocacy. (CMK)

Evaluates the National Assessment of Educational Progress (NAEP) in the visual arts, discussing issues such as the formulation of performance expectations and reporting procedures. States that, when exploring the scores, the context within which the arts are taught must be considered. Asserts that educational improvement requires changes in the…

Comments on some features of the National Assessment of Educational Progress (NAEP). Describes the NAEP assessment of student achievement in theater. Evaluates the NAEP assessment in theater, focusing on (1) what can be learned from the assessment, (2) what the NAEP is assessing, and (3) the authenticity of the assessment. (CMK)

Reports on the data gleaned from the survey on dance education administered simultaneously with the 1997 National Assessment of Educational Progress (NAEP) arts assessments. Presents the process and problems of developing and implementing assessments in dance. Considers the value of the assessments to dance and offers recommendations for the…

Provides information on the National Assessment of Educational Progress (NAEP) in music. Discusses the "red flags," such as test sampling, from the "Arts Report Card" that signal doubt as to the usefulness of its data. Considers the lessons learned from the "Arts Report Card." (CMK)

Provides a speech that was presented to the National Art Education Association national convention on March 26, 1999, that focused on (1) the changes in art education; (2) the disappointments and lessons learned from failed attempts at innovation; and (3) the issues that will be faced in the future of arts education. (CMK)

Explains how various national reform initiatives encourage curriculum integration. Considers traditional means for integrating the arts into the curriculum. Explores the inherent interdisciplinarity of design-based teaching and learning and describes a more central role for the arts in interdisciplinary curricula, stressing the importance of…

Argues that the arts demand careful analysis when providing a rationale for the inclusion of the arts in educational programs and policies. Provides information on the content and context of dance opposition and provides examples from dance history of issues that need to be addressed. (CMK)

Provides information on the National Assessment of Educational Progress (NAEP). Evaluates the NAEP arts assessment on three different issues (fact finding, influencing instruction, and "placing product"), considering the political spin given the arts NAEP. Highlights several concerns regarding the arts literacy campaign as a vehicle for NAEP. (CMK)

Discusses the evolution of dance education, the national support for arts education, and the implications for dance. Considers the challenges that must be met to establish quality dance programs. Focuses on how to address the challenges both at the national and state level. Provides recommendations. (CMK)

Describes the professional development school, where an equal responsibility exists between the university and public school in teacher education. Compares it to the traditional practicum model. Explores the professional development partnership in music education and outlines a new model for the preparation of music teachers. (CMK)

Summarizes key findings from "Time to Move On: African-American and White Parents Set an Agenda for Public Schools," which reports the aspirations and concerns of black and white parents according to telephone surveys, focus groups, and individual interviews of parents and public educational professionals. (CMK)