Investigates the nature of expertise in the interpretation of cultural artifacts, particularly the Concheros dance of Mexico. Tests CD-ROM-based multimedia software designed to teach expert evaluation strategies. Shows that, compared with a control group, students using the software exhibited a greater ability to interpret the Concheros dance.…

Argues that current models of art criticism distort the actual discourse of critics and force educators to rely upon a problematic instructional method: classroom recitation. Suggests that critical inquiry, rather than critical discourse, is a more fruitful concept for structuring art criticism instruction and proposes a model based on this…

Examines six graffiti artists in Toronto (Canada) who had formal art education at either the senior secondary or postsecondary level through tape-recorded interviews. Focuses on who they are, their views of the graffiti community in Toronto, the relationship between their artwork and education, and whom they each perceive as their audience. (CMK)

Examines how gender affects children's preferences for subject content in their drawings and use of formal characteristics. Reveals that female drawings focused on humanistic content whereas the males communicated aggression and adventure; furthermore, the females used more color, shapes, and detailed features while the males employed more…

Investigates the educational background, educational needs, and scheduling preferences of art teachers in order to shape a graduate art education program. Finds that 67% do not have a master's degree, 55% are interested in getting a masters, 62% prefer evening courses, and more teachers are interested in studio art courses. (CMK)

Examines student art teachers' perceptions of their progress during their first teaching experiences through a reflective writing format. Reveals that they learned about instructional strategies and student learning and needed to learn more about teaching strategies, art content, classroom management, and student learning in order to become…

Responds to Brent Wilson's report "The Quiet Evolution: Changing the Face of Arts Education," focusing on how Wilson centers the curriculum around key works of art. Explains that ideas, issues, and themes should be central instead and addresses the development of teacher expertise. (CMK)

Explores implementation and the change process in relation to "The Quiet Evolution: Changing the Face of Arts Education," which assesses the six regional institutes that receive multiyear funding from the Getty Education Institute for the Arts. Stresses that the report illustrates the importance of designing and documenting implementation…

Evaluates the report "The Quiet Evolution: Changing the Face of Arts Education," which documents the results from the evaluation of the Regional Institute Grants. Examines the evaluation protocol. Asserts that the report should have addressed forward-looking reappraisals. Addresses the influence on arts education of emergent models of cultural and…

Explores Brent Wilson's report "The Quiet Evolution: Changing the Face of Arts Education," focusing on Wilson's reformulation of discipline-based art education and the methodology of the evaluation. Examines the findings and refers to "The Quiet Evolution Executive Summary." (CMK)

Responds to the articles, available in this issue of Arts Education Policy Review, included in the Symposium on "The Quiet Evolution: Changing the Face of Arts Education." Articles by E. Louis Lankford, Michael Fullan, Martin Schiralli, and W. Dwaine Greer. (CMK)

Considers the cooperative nature of the implementation of arts education in the Saskatchewan schools. Provides information on the beginning of arts education in Saskatchewan. Discusses the components of the arts education curriculum, the evaluation of the curriculum, and the successes and challenges throughout the process of implementing arts…

Stresses the importance of local arts, focusing on encouraging modern dance at the local level. Addresses issues such as audience participation, sense of ownership and community, and accessibility that accompanies local art. Considers the implications for K-12 modern dance education. (CMK)

Examines the eroded relationship between leaders in the professional arts education community and in the arts bureaucracy. Traces the history of the arts education jurisdictional conflict. Discusses the artist residency concept and discipline-based art education. Provides suggestions for the construction of a more civil arts education support…

Summarizes eight roles that the arts can play in education, focusing on the "arts cultura" model. Describes the Harvard University Graduate School of Education program that explores the arts from a variety of perspectives. Discusses the arts' place in the curriculum. (CMK)