Profiles the use of mask-making in an art education program at San Pedro Academy in Los Angeles. San Pedro is an all-male private school for elementary, middle and high school students with emotional and behavioral problems. Discusses the uses of mask-making from multicultural and therapeutic perspectives. (MJP)

The National Art Education Association (NAEA), the organization of professional art educators in the United States, has as its primary concern the improvement of the quality of programs of art in education. To assist school systems in developing effective art programs consistent with their own educational aims and objectives, the National Art…

Addresses the need for making connections between cultures, especially among Aboriginal and dominant cultures. Focuses on these themes: cultural memory, cultural performance, and cultural translation. Highlights three Aboriginal cultures on three continents (South Australia, Canada, and Taiwan) to encourage art educators and students to engage in…

Contends that the concept of description educators present in their art criticism models differs from the concept of description in ordinary language; instead, it is a technical concept borrowed from the literature of aesthetics. Delineates differences between each concept, describes how the confusion arose, and discusses implications for art…

Explores theoretical and practical advantages of a constructivist shift from breadth to depth, and from formalism to contextualism, through the inclusion of artists' primary source writings. Believes that students benefit from linking artist's words to their images providing students with another point from which they can survey the world of…

Documents use of informant-made video (IMV) recordings as a data collecting method for research into adults' art viewing experiences. Compares 10 informants' videotaped accounts of their responses to works of art with audiotaped responses. Reveals that IMVs provided additional information, such as visual documentation of artwork. Concludes with a…

Describes the drawings of an autistic 8-year-old boy and investigates the role of art in his life considering art's relationship, by style and content, to his emotional and daily experiences. Indicates his four distinct drawing styles along with what these styles suggest about art's narrative qualities and its meaning-making possibilities. (CMK)

Argues for incorporating everyday sites, such as shopping malls, amusement parks, advertising, the Internet, and television, into art education. Also argues that everyday aesthetic experiences significantly impact the formation of individual identities and world views and that the dynamics behind the influence of everyday aesthetics will only…

Gives a brief history of Latin-American ofrendas, and describes the artistic and educational experiences related to organized ofrenda displays in various public settings in Florida in the early 1990s. Suggests guidelines for teaching about ofrendas and ways of respectfully participating in the cultural practices of others. (DSK)

Documents and argues the need to move beyond linear conceptions of development in art. Proposes an art education that explores multiple pictorial repertoires, including those that rely on cooperation of multiple modalities of expression, and allows students to construct meaning through connections across symbol systems. (DSK)

Focuses on how art viewers express their aesthetic experiences into linguistic structures. Analyzes the language of novice adult art viewers and, using discourse analysis, identifies four interpretive strategies evident in their speech: (1) contrast, (2) negation, (3) speculation, and (4) narration. Discusses each strategy in relation to current…

Uses stories of 19th-century people to demonstrate how art education contributed to their ability to find work and to ideas about gentility. Argues that while the ideology of gentility claimed to transcend class, it was bound to middle-class formation and gender stereotypes. Reflects on how "gentility" continues to influence art education. (DSK)

Observes that, as concerns for multicultural education increase, art-education historians' inattention to areas outside of the Northeast becomes apparent. Uses New Mexico as an example of a state meeting multicultural needs in art education, but points out that much information about New Mexico cannot be found in mainstream art-education…

Focuses on ways in which a group of high school students responded to fine art and other forms of visual culture, such as advertising images, cartoons, and propaganda posters. Discusses three emergent themes in student responses: (1) purposes of imagery; (2) interpretation of images; and (3) relationships among images. (DSK)

Describes the development of an arts-based educational program at a female correctional facility in rural Florida. Considers pedagogical and political dimensions of the program; discusses curriculum design and development, learning processes, and institutional influences; and presents examples of participants' artistry and interpretations. (DSK)