Discusses the failure of a public art program in Raleigh, North Carolina in which Dale Eldred and Roberta Lord created the "Light + Time Tower." Discusses the curriculum "Art for Communities: A Teacher's Guide" that aims at teaching the role of public art and the incorporation of North Carolina's ABCs Plan. (CMK)

Offers a description of the work done by local artists in the small southern Indiana rural community of Orleans. Discusses the differences between the adults and the youth in the community and addresses the art education received by the rural Orleans students. Considers the implications for art education. (CMK)

Presents an instructional resource for middle and high school students that focuses on artworks by the El Paso (Texas) artists Luis Jimenez, Carlos Callejo, Gaspar Enriquez, and Gloria Osuna Perez. Explains that the artwork represents the artists' personal relationship to community. Provides background information and an activity for each artwork.…

Describes the course "Bronx as Art" that was taught to 10th grade students from the Bronx Regional High School (New York) and was funded by the Bronx Council on the Arts. Explains that the students explored their self-images and experiences with their neighborhood. Provides background information on the school and students. (CMK)

Offers a rationale for bringing older adults and young people together in art education. Focuses on the author's study of a seven-month after-school community art program in New York City's Harlem that was an intergenerational exchange of history and culture through oral history interviews and art making. (CMK)

Traces the history of the concern with self-taught artists and discusses various reasons for the growing interest in self-taught artists and their work. Focuses on the relationship between art education and the work of self-taught artists. Highlights concepts that students can learn by studying self-taught artists. (CMK)

Presents a photo essay that visually narrates the workshop that took place in State College, Pennsylvania, from October 19-24, 1998 bringing together middle and high school students with Tim Rollins, who is a conceptual artist and educator, and Kids of Survival (KOS). (CMK)

States that the art of recycling has more to do with connecting people with objects, traditions, and rituals than sustaining the natural environment. Discusses some lessons learned in four categories: (1) recycling as self-sufficiency; (2) recycling as renewal; (3) recycling as a spiritual activity; and (4) recycling as aesthetic transformation.…

Highlights some practical applications for art and river education to encourage teachers to create such programs. Describes the "Art and River" Program that consists of four half-day lessons at a river park. Discusses the importance of rivers and Native American beliefs about the land and rivers. Lists additional resources. (CMK)

Discusses five realms to explore when distinguishing the efficacy of images. Explores six ethical issues that the use of images raise, such as misconception and sensationalism. Proposes a strategy for analyzing controversial images and illustrates the use of this methodology by analyzing the use of "Joe Camel" in advertising. (CMK)

Presents an instructional resource appropriate for fourth- to eight-graders focusing on four artworks that depict the story of U.S. landscape painting and the influences of technological change. Includes background information about the authors and artworks, discussion questions, an exercise that allows students to study the artwork, and suggested…

Discusses if there is a theoretical framework for a life-centered curriculum within art education history, problems that may occur when a life-centered curriculum is used, instructional approaches for a curriculum centered on life issues, and introducing art education students to using life issues in the curriculum. (CMK)

Discusses the use of analog drawing in an undergraduate interdisciplinary arts course. States that analog drawing uses lines as representation of portraits, problems, or emotions. Explains how analog drawing was used to depict social issues and reports on the interpretations of student drawings. (CMK)

Describes art programs that were given at several elementary Australian schools focusing on Christmas and Easter. Explains that the programs are based on the accounts of the birth and death of Jesus given in the Bible. States that the programs integrate studio art, art criticism, and art history. (CMK)

Describes a personal analogy exercise used to experience metaphors and understand the ability to think metaphorically. States that students engage in an "I am" writing exercise where they select a portrait and write answers to such questions as "how are you like the portrait?" (CMK)