Reports on insights about sociocultural influences on Brazilian children's drawings, using visual anthropology to examine children's drawings that depicted what they like to do. Discusses visual anthropology, provides information on Brazilian educational influences, and presents the context and findings of the study. (CMK)

Discusses the development of a multimedia CD-ROM that would help teachers address the "Evaluating and Appreciating" aspect of the Scottish Guidelines for 5-14 Expressive Arts. Focuses on a pilot study that aimed to determine whether the software assisted them in delivering "Evaluating and Appreciating" in art. (CMK)

Focuses on the Bayeux Tapestry, which tells the story of William the Conqueror's invasion of England and the Battle of Hastings in 1066. Explores the issues related to violence that affect students' lives. Includes an historical narrative of the tapestry, ideas for interpreting the images, and questions that address the violence. (CMK)

Discusses a University of Arizona History and Philosophy in Art Education course and its use of distance education. Focuses on conversational learning, describing the two forms of student interaction and the use of reflection on the distance education experience. Provides some topics to consider when using distance learning. (CMK)

Reflects on the current art education agenda, contending that art education should focus not only on art's power to affect social change but also on "the surface" of art. Argues that art education should address the potential of art to enrich people's lives by adding delight and enjoyment through individual, aesthetic experiences. (CMK)

Addresses the teaching of color symbolism and asserts that racism is embodied and perpetuated through conventional notions of black and white symbolism. Discusses a project with two eighth grade classes, focusing on the discussion of color symbolism in school and popular culture. Considers the importance of analyzing contemporary languages of…

Focuses on a way of teaching that explores the connection between historical and cultural content in works of art, linking the present and past through reCognizing (understanding a previously known thing differently or viewing an unknown thing in multiple ways). Provides an example of reCognition using the Kwanzaa Playground in Columbus (Ohio).…

Explores the Kwanzaa Playground, a small Afrocentric park in Columbus (Ohio), and the Kwanzaa Playground Web site within the context of how African art and culture were used to inform and transform each of these works. Describes the artwork in the playground and discusses the background, purpose, and creation of the Web site. (CMK)

Describes the Africa Project, an undergraduate art education course in which college students and elementary students were brought into creative interaction with the University of Illinois' Krannert Art Museum's Africa collection. Addresses the development of the Africa Project and explains how the college students taught kindergarten students.…

Compares the values of the Akan people of West Africa and African-American cultures and works of art that embody these values. Describes each artwork (Akan crown, African-American Head Wrap, Asafo Flags, and the Harriet Powers quilt) and provides questions and activities appropriate for middle school students. (CMK)

Describes Project ARTS (Arts for Rural Teachers and Students), a 3-year community-based research and development program for students with high interest and abilities in the performing and visual arts. Focuses on the project's curriculum and assessment. Addresses the applicability of the program to other rural areas. (CMK)

Discusses federal art projects during the New Deal, providing information on Edgar Britton and the influence of being a New Deal artist on his later work. Discusses the use of Britton's murals, housed at Highland Park High School (Chicago), in the curriculum. Comments on today's public art. (CMK)

Examines the transformation of the image of the Virgin of Guadalupe as the foundation for proposing objectives teachers might use to guide students in borrowing traditional images from their own or others' cultures. Offers a series of six objectives to guide students in understanding and transforming traditional images. (CMK)

Discusses hosting a Dia de Los Muertos, or a Day of the Dead, procession and festival to remember victims of school or community violence. Traditionally, the festival is a means for life embracing death and of honoring the dead. Describes the procession and festival and addresses the making of altars. (CMK)

Provides a case for teaching children about local architecture. Describes a specific example called the Kentucky Project as a humanist approach to built environmental education that enabled middle and high school students to study their architectural heritage through a program of videos and related teaching materials. (CMK)