This article presents the author's lecture presented at the 2008 National Art Education Association (NAEA) convention. This lecture examines not what educators can learn from science but what educators can learn from the arts. The author's thesis is that the improvement of education is made possible not only by understandings promoted through…

Much arts education research is devoted to articulating the development of students' modes of thinking and acting, describing the development of various aptitudes in terms of the individual's experiences and accomplishments. This article presents a lecture by Olivia Gude, the recipient of the 2009 Lowenfeld Award. In this lecture, Gude focuses on…

This article explores moments of becoming a/r/tography. A/r/tography is a research methodology, a creative practice, and a performative pedagogy that lives in the rhizomatic practices of the in-between. Resisting the tendency for endless critique of past experience and bodies of knowledge, a/r/tography is concerned with the creative invention of…

In this lecture I explore and conceptualize the anomalous spaces of perception and memory in art practice and research where experimental and alternative discourses and pedagogies can emerge. I argue that the instabilities and slippages between what is visible and invisible, known and unknown, in these spaces enable insightful and multivalent ways…

The "Studies in Art Education Invited Lecture" is presented at the annual meeting of the National Art Education Association. Each year the presenter is elected from a highly competitive group of nominated scholars by the "Studies in Art Education" Editorial Board. In 2007, the lecture was presented by Professor Jan Jagodzinski, University of…

On September 18th 2003, the director of the Human Creativity youth arts program at Central Falls High School in Central Falls, Rhode Island, and four of its youth leaders enter Lincoln Center in New York City. They are there to present their program's work at a national forum held by the Arts Education Partnership (AEP). The forum is one of three…

This article focuses on the future of arts-based research in education. The author contends that there are several features that need to be taken into account if arts-based educational research is to have a future. First, arts-based educational research needs to have a cadre of scholars committed to its exploration--individuals who regard…

Explores the life of Eloise Richards Payne in order to address becoming a professional teacher around 1800. Describes the type of child interested in becoming an art teacher, the role of art in Payne's early education, where she received ideas about art after schooling, and what she needed to become a teacher. (CMK)

Though the world of schooling may be in trouble, the world of art is booming, and though few of the benefits have yet percolated through the schoolhouse walls, there are hopeful signs and, indeed, several genuine innovations, such as Advanced Placement and CEMREL's Aesthetic Education Program. (Author/SJL)

Adapted from the presidential address to the National Art Education Association in the Spring of 1983, this article discusses the professional identity of art teachers and why art belongs "in the mainstream" of education. (RM)

The back-to-basics movement alone cannot solve many of our pressing educational difficulties. Absenteeism and discipline problems point out the need for schooling that fosters human relationships and individual interests. This speech was presented at the American Association of School Administrators Convention, New Orleans, Louisiana, February 16,…

The author examines some of the major developments, issues and problems during his tenure as president of the National Art Education Association. He looks at the association itself, federal programs, and the cutbacks art education is suffering in the back-to-basics movement. (SJL)

In this address to the 1980 National Art Education Association Convention, the author reviews Association progress in the 1970s and the major issues facing art educators. He asserts that the primary reason for art in the schools is its cruciality to each individual's growth and development as a human being. (SJL)

In this keynote address to the 1980 National Art Education Association National Convention, the author suggests a redirection of art education. He proposes a redefinition of the scope and purpose of art education, outlines a dialog curriculum for aesthetic literacy, and considers ways of dealing with the arts bureaucracy. (SJL)

Praises past achievements of the National Art Education Association (NAEA) and the art education profession. Maintains that art curriculum must reflect community values and norms, and should be relevant to students' needs. Believes that art educators are currently in a position to make art a central part of educational processes. (KM)