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50 Years of ERIC
50 Years of ERIC
The Education Resources Information Center (ERIC) is celebrating its 50th Birthday! First opened on May 15th, 1964 ERIC continues the long tradition of ongoing innovation and enhancement.

Learn more about the history of ERIC here. PDF icon

Showing 1 to 15 of 50 results
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Johnson, Margaret H.; Kieling, Linda W.; Cooper, Susan L. – Art Education, 2014
In this article, the authors report on usage of 21st-century technology, and a collaborative project that allowed middle school art students and preservice teachers to share their artwork and receive feedback in a constructivist learning environment. Middle school students often deal with issues such as bullying, divorce, and depression; they can…
Descriptors: College School Cooperation, Art Activities, Constructivism (Learning), Middle School Students
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Eldridge, Laurie A. – Art Education, 2013
Graffiti artist Sentrock sees his graffiti as a selfless act, a way of giving back to the community--when done legally--and inspires a group of middle school students. This is a case study of an artist and educator who teaches about graffiti art in public schools. He is unique in that he delineates between graffiti art and vandalism, and teaches…
Descriptors: Artists, Art Education, Middle School Students, Art Teachers
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Hathaway, Nan E. – Art Education, 2013
A time-honored and pervasive tradition has taken root in art classrooms. It goes like this: The art teacher plans experiences, often called "visual problems" (Vieth, 1999, p. 4), for pupils to execute. Students are then encouraged to "solve" these problems in their own way, but the end result, more often than not, is…
Descriptors: Art Education, Art Teachers, Teaching Methods, Middle School Teachers
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Bertling, Joy – Art Education, 2013
The ecological realities of many communities are desperate but not determined. As teachers inevitably encounter these realities in their communities, they can respond by activating students' imaginations to conceive of better alternatives. Greene (1995) outlined how the imagination has the power to envision alternative realities and better…
Descriptors: Art Education, Place Based Education, Artists, Middle School Students
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Burdick, Corrie; Causton-Theoharis, Julie – Art Education, 2012
Paraprofessionals are among the 650,000 people supervised by certified professionals who support students with disabilities as determined by a student's Individual Education Plan (IEP). While there is a growing body of literature that examines the role of paraprofessionals in the general classroom, there is little information about the role of the…
Descriptors: Paraprofessional School Personnel, Art Teachers, Middle School Teachers, Secondary School Teachers
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Stephens, Pamela; Walkup, Nancy – Art Education, 2011
Many of the paintings of 20th-century American artist Philip C. Curtis defy clear classification. Curtis's artworks often show dreamlike and fantastical qualities and are therefore frequently pigeonholed as Surrealistic. While this classification is not completely erroneous, it fails to acknowledge some subtle differences between Curtis's artwork…
Descriptors: Artists, Painting (Visual Arts), Art Products, Art Expression
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Salvador, Karen; Allegood, Kristen – Arts Education Policy Review, 2014
This quantitative study examined access to school music instruction with regard to race in two urban areas: Detroit, Michigan, and Washington, DC, in 2009-2010. We found significant differences in the provision of music instruction between schools with high and low proportions of nonwhite enrollment, in categories including curricular offerings,…
Descriptors: Music Education, Access to Education, Urban Areas, Statistical Analysis
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Baker, Richard A., Jr. – Arts Education Policy Review, 2012
This study examined high-stakes test scores for 37,222 eighth grade students enrolled in music and/or visual arts classes and those students not enrolled in arts courses. Students enrolled in music had significantly higher mean scores than those not enrolled in music (p less than 0.001). Results for visual arts and dual arts were not as…
Descriptors: Art Education, Music Education, High Stakes Tests, Scores
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Buffington, Melanie L. – Art Education, 2007
Public art takes many forms, including commemorative sculptures, site-specific works, and collaborative murals. Additionally, public art can beautify an urban environment or raise awareness of social issues. Public works of art are a form of discourse and open conversations and dialogue, helping communities work toward unity and empowerment. Using…
Descriptors: Art Education, Artists, Art Activities, Student Evaluation
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Diket, Read M.; Xu, Lihua; Brewer, Thomas M. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2014
The aspirational model resulted from the authors' secondary analysis of the Mother/Child (M/C) test block from the 2008 National Assessment of Educational Progress restricted data that examined the responses of the national sample of 8th-grade students (n = 1648). This test block presented no artmaking task and consisted of the same 13…
Descriptors: Group Testing, Art Education, Grade 8, National Surveys
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Lin, Ching-Chiu; Bruce, Bertram C. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2013
Learning for underserved youth is integral to social progress. Yet, too often, young people experience disconnects between their educational experiences and both individual and community needs. Arts can help these youth recover a unity through collective action in the community. Drawing from the experiences of a 4-year interdisciplinary research…
Descriptors: Art Education, Disadvantaged Youth, Youth Programs, Information Technology
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Pennisi, Alice C. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2013
With the goal of re-engaging students in their art class, a participatory action research project was conducted in which an art teacher, his eighth-graders, and the researcher as mentor-teacher used democratic practices to negotiate the structure and content of their class over a school year. Starting with an agreed upon concept of art,…
Descriptors: Art Education, Curriculum Development, Grade 8, Art Teachers
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Lord, Stacy – SchoolArts: The Art Education Magazine for Teachers, 2012
In this article, the author describes a project which came about from listening to some of her students talk about the awful food they had at lunch. Each one of them was engaged and eager to talk about his or her experience. In this project, students recreate their experiences through sculpture. (Contains 1 online resource.)
Descriptors: Sculpture, Studio Art, Art Activities, Story Telling
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Eaton, Dolores E. – SchoolArts: The Art Education Magazine for Teachers, 2012
A title, a cover, and pages with "substance" bound together--this is what the author's eighth-grade students decided were the essential elements of a book. There could be more, but no less. In art, one does judge a book by its cover. In this article, the author describes how her students created their books. (Contains 1 online resource.)
Descriptors: Books, Handicrafts, Art Materials, Studio Art
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DeSimone, Jana – SchoolArts: The Art Education Magazine for Teachers, 2012
Sepia tones range from pale neutral cream, tan, and amber all the way to deep chocolate brown; some even have dark green undertones. Sepia tones are used primarily by photographers. Photographers opt to print their photos in sepia because of the warmer, almost old-fashioned look it has. Art is considered "anthropomorphic" when an object or an…
Descriptors: Studio Art, Art Activities, Photography, Animals
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