The capacity for empathy is important to the human community, and the art classroom provides a unique environment in which this capacity can be developed. Connections to objects of art and material culture, as forged by individual students and also shared with classmates, can be as empathic as they are meaningful. An openness to others and their…

This book began with the idea that it would describe a set of arts-based service-learning courses developed and implemented during the unique multi-year project, Linking Service-Learning and the Visual Arts. These courses, in photography, graphic design, ceramics, and art education were to be offered as models, perhaps, or better yet, as…

Discusses the use of analog drawing in an undergraduate interdisciplinary arts course. States that analog drawing uses lines as representation of portraits, problems, or emotions. Explains how analog drawing was used to depict social issues and reports on the interpretations of student drawings. (CMK)

States that funding issues and teacher expertise are intertwined in a dynamic relationship. Explores the nature of the relationship between funding issues and teacher expertise in elementary art education as they affect media usage, curriculum-as-enacted, and professional performance as perceived by teachers. (CMK)

Theme parks can have educational value for students and teachers when these cultural sites within the range of visual culture are understood as sites of experiential learning and as processes of mediation between visitors and park designers. Worthy of serious study, the theme park can be explored as a cultural vortex whose swirling forces…

Explores the similarities and differences in findings related to three studies that focused on the content and context of students' and teachers' definitions of art in order to study the socialization process. Reveals that the researchers themselves perpetuate this process by solidifying the students' and teachers' learned expectations of what art…

Considers the process through which a group of teachers enrolled in an art education course established friendships with selected works of art by regarding them as metaphors for their lives. Teachers connected with the art works through religious references, family bonds, formal contexts, and ties to nature. (MJP)

Explores differences among art teachers' personal art preferences, their predicted student preferences, and students' actual preferences, as well as each groups' preferences for styles to use in teaching. Finds high correlations between personal and educational preferences and low correlations between teachers' predictions of students' preferences…

Contends that to realize their leadership potential art teachers must forge connections with the community. Discusses three connections and argues that they are crucial to increased participation of all students and teachers in viable art education programs. (CFR)

Explores the interrelationship of educational research to art. Recommends using art as a part of research methodology. Describes the use of a nineteenth-century painting, "The Knitting Lesson," as a metaphor for incorporating the use of research in preservice art education. (CFR)

Compares and contrasts discipline-based art education with Viktor Lowenfeld's creative self-expression approach, using growth, medical, and molding metaphors. Maintains that these two approaches are similar because the views of the child, the teacher's role, and the relationship between them has not changed. (KM)

Raises a number of interesting questions about the relationship between controversial contemporary art and school art. Briefly summarizes the reactions of several groups of teachers and students after attending a controversial exhibit. Concludes with some recommendations for bridging the gap between the two art worlds. (MJP)

Presents the results of a statewide survey of Kansas art teachers. Teachers revealed that Discipline Based Art Education had little influence on them. Primary areas of concern were lack of funding and low status of art programs. Includes statistical analysis of the relationship between teaching experience, level of education, and teaching…

Reports on a survey of 122 elementary art education methods instructors in the United States and Canada. Finds that methods courses focus on one of three general areas: (1) those that focus on art itself; (2) those that focus on pedagogical issues; or (3) those that focus on the non-art major preservice teacher. (CFR)