In different ways and in different contexts it has been and still is argued that music education should be prioritized because of its positive impact on pupils in terms of general development as good citizens and in terms of skills in other disciplines. In this article, the authors discuss whether this tendency is best interpreted as an example of…

This article grapples with the relationship between curriculum theory and teacher education. Using Yeat's poem, "The Second Coming," I characterize three periods of teacher education in North America, suggesting we are now on the brink of a fourth period. My premise is that teacher education is central to a Faculty of Education.…

At the turn of the century, there was a widespread perception on the part of pupils, teachers, and policy makers that a "problem with school music" existed, particularly at the secondary level. It was hypothesized that one contributory factor was the perceived authenticity of "school music" in relation to "music outside school," not least because…

This article presents the author's response to the six authors in the special issue of "Action, Criticism and Theory for Music Education" concerning her book "Music, Informal Learning and the School: A New Classroom Pedagogy." In this response, the author focuses on some general observations that came to mind whilst reading the valuable set of…

Music education research today continues in well-worn paths. While it may be productive in quantity, it is not clear the degree to which it informs current music teacher education or has produced advances in teaching practice. Indeed, as some critics of university-based teacher education research have argued (e.g., Boyer 1990; Schwandt 2005), such…

In this article, the author argues that the Rhoda Bernard (2005) paper "Making Music, Making Selves" is seriously flawed in research design, literature review and, more importantly, in its conclusions. Bernard's hammering of the idea of self as having multiple identities is well taken, but today it is more than accepted as a given. The problem is…

In an earlier issue of "ACT" (Number 2, 2005), Dr. Rhoda Bernard has presented a call for reframing music teacher education. Based on his experience as a leader of a Swedish longitudinal project about music teacher socialization since the late 1980s, the author discusses some problems with her call. In this article, he elucidates Bernard's use of…

The author reads with great interest Rhoda Bernard's (2005) article "Making Music, Making Selves." Bernard's concerns about the multiple identities that she holds, and people's tendency to compartmentalize their various identities according to audience and role are issues for the author as she designs and teaches within music teacher education…

This article is a response to Rhoda Bernard's (2005) article, "Making Music, Making Selves". The author first met Dr. Bernard several years ago in the UK, at an international music education research conference at the University of Exeter. Without realising he was in the audience, Dr. Bernard cited his 1995 article "Artist or Teacher?" as an early…

The author's article, "Making Music, Making Selves," was written as "an effort to broaden the academic conversation about music educators and identity, to make room for a wider range of perspectives on identity, and to help everyone in the field to think deeply about what it means to be a music educator and what it means to become a music…

Knowledge about discrepancies between institutional demands and pedagogical choices creates conflicts that are familiar to most experienced teacher educators. The reasons behind such discrepancies and their philosophical underpinnings have been addressed systematically in several disciplines. With a few notable exceptions, scholarship in music…

The winning of an artist representing the lowest level of Finnish musical taste during the 2006 Eurovision song contest marks not only the rebellious attitude towards the over-sanitized contest, but it was the result of a new practice--voting by text message. Recently, music-biased schools that were once selective of the music they teach are now…

In the author's research, she studies the professional identities of music educators. Through her ethnographic studies of elementary school general music teachers, she has come to better understand the ways that elementary general music teachers express and enact their identities. It is often said that academics study themselves when they conduct…

Since 1988, the author and his colleague Stephan Bladh, from the Malmo Academy of Music, have followed the student teachers that started their music teacher education that autumn (Bladh, 2002; Bouij 1998a). They started their research project with 169 hopeful students. The music teacher education program was then four years long, but some of the…

In this paper the author makes a short presentation of an ongoing longitudinal research project in Sweden. However, he wants to focus on the theoretical perspective he has found fruitful for his understanding of music teachers' professional socialisation, and on the question whether the music teacher must also be a musician in order to possess…