This article traces the formation of community music through professional and scholarly articles over the last century in North America, and argues that community music has been discursively formed through social rationales, although the specific rationales have shifted. The author employs an archaeological framework inspired by Michel Foucault to…

This article presents the author's views on the concepts of the philosophers Deleuze and Guattari on striated (sedentary) space and smooth (mobile) space, asserting that "nomads" can move freely about their space. She relates these concepts to music education, incorporating Deleuze and Guattari's concept of mapping as it…

"Meaning" fascinates Marissa Silverman. Partly because the question "What is the meaning of "meaning"?" is not only conceptually challenging, but also because a reasonable answer would be enormously helpful to her in the pursuit of "a good" personal and professional life. So, in probing…

In "The Good Life of Teaching: An Ethics of Professional Practice," Chris Higgins (2011) reminds people that "self-interest and altruism, personal freedom and social roles, and practical wisdom and personhood" have been ancient philosophical topics that remain vitally important in the practice of contemporary teaching and learning. One of the most…

In a seminal article, Philip Alperson (1991) first argued that a proper philosophy of music and music education should account for all musical "praxis." Nonetheless, his introduction of the concept of praxis into the philosophical discourse of music education seems to occasion either a yawn or hostility, despite having a much longer and more solid…

Philosopher Richard Shusterman's book "Body Consciousness" is the most recent and most extensive addition to Shusterman's project of "somaesthetics," an area of philosophy dealing with experiences of embodiment. Shusterman distinguishes three aspects of somaesthetics. Analytic somaesthetics is a "descriptive and theoretical enterprise"; pragmatic…

Richard Shusterman's "Body Consciousness" aims at formulating a theory of somaesthetics and somatic experience. There has indeed been a growing interest in the role of the body in experience. Shusterman examines the arguments of six important writers who have been influential in this discussion. The emphasis on the body is natural for a…

The author begins his essay by stating that Richard Shusterman advises us that the 20th century scholarly community has not just ignored the value that can come to one's life as a function of paying close attention to the body and its immediate sensual qualities, it has trained us to eschew its character-enhancing sensual natures in favor of more…

In this essay, the author first addresses the theme of disciplined somatic training and its relationship to self-awareness and transformation. Her attention is focused specifically on the chapter on Ludwig Wittgenstein, in which Richard Shusterman presents and then elaborates upon the philosopher's connections between conscious bodily feelings and…

The author of this article responds to the seven papers in this journal that commented on his book titled "Body Consciousness: A Philosophy of Mindfulness and Somaesthetics." Shusterman responds to comments and criticisms made on the subjects of (1) embodiment and gender; (2) Asian cultural dimensions; (3) the somaesthetics of music; (4)…

In her recent work, Green (2001; 2008) builds on the idea that there is a gulf between "real-world music" and classroom music (Ibid., p. 2). One of her main goals seems to be to pave the way for the former in the latter: to make the music in schools more in touch with reality. The learning practices of popular music are taken to bring the needed…

Music education research today continues in well-worn paths. While it may be productive in quantity, it is not clear the degree to which it informs current music teacher education or has produced advances in teaching practice. Indeed, as some critics of university-based teacher education research have argued (e.g., Boyer 1990; Schwandt 2005), such…

The fourth volume in the Routledge series "Understanding Feminist Philosophy," Carolyn Korsmeyer's "Gender and Aesthetics: An Introduction," aims to provide undergraduate philosophy students with some grounding in feminist aesthetics. The initial chapters provide a clear, although not unproblematical, summary of the ways gender is implicated in…

Transformation, by definition, requires change. Not superficial change, but systematic, focused, substantial, fundamental change; in a word, improvement. Change, and the eventual transformation of music education itself, requires a complete rethinking from the ground up of the why, what, how of music teaching--not to forget "whether" music…

Does music education need a new philosophy that is scientifically grounded on common agreements with educational and musical standards? If such standards are commonly accepted, why do people reflect philosophically about music teaching and learning? At first glance, these questions sound very abstract and theoretical because people love music, and…