In different ways and in different contexts it has been and still is argued that music education should be prioritized because of its positive impact on pupils in terms of general development as good citizens and in terms of skills in other disciplines. In this article, the authors discuss whether this tendency is best interpreted as an example of…

In this article I discuss a case study of how a music teacher in a postcolonial context has addressed and resisted colonialist practices in education/socialization processes. The case study addresses preliminary findings from a broader ethnography on the social organization of music learning from the standpoint of music teachers. The ethnography…

The purpose of this study was to determine relationships among social identity, value of music education, musician-teacher orientation, selected demographic factors, and self-concept as a music educator. Participants (N = 968) were volunteer undergraduate music education majors enrolled at four-year institutions granting a bachelor of music…

The purpose of this paper is to apply Noddings' ethic of care to a qualitative inquiry of select instrumental music educators. In the first section I describe and define an ethic of care, considering specifically who is involved in a caring relationship, how an ethic of care can be taught, and strategies for educational implementation and…

This paper explores the effects and problems of one highly influential default setting of the "normal style template" of music education and proposes some alternatives. These do not require abandoning all traditional templates for school music. But re-setting the default settings does depend on reconsidering the promised function of…

This paper begins with a premise that each person's musical education is made of multiple and diverse experiences that occur in settings both in and out of school (Campbell 2002, 2003, 2008; Green 2002, 2005; Jaffurs 2004, 2006). Nevertheless, when speaking and writing about music education, one often restricts the kinds of music, ways of…

Archetypal images in stories and lyrics such as Lehi's Dream in the Book of Mormon, Country Mouse and the City Mouse, and selected Country music lyrics grow from perceptions of social, cultural, and geographical realities. For their purveyors, they likely stem from personal experience as the proverbial Country Mouse in the city and/or from…

In the summer of 2011 (June 16-19), the MayDay Group met in Salt Lake City, Utah (USA) for MayDay Colloquium 23, with presentations and discussions on the theme,"The End(s) of Music Education? A Call for Re-Visioning": In a time of rapidly changing political processes, power relations, and policies, music educators are challenged to…

On June 20, 2012, Professor John Kratus welcomed the MayDay Group to Michigan State University for "Colloquium 24: The Aims of Music Education". On behalf of all members of the Mayday Group, the author wishes to extend his deepest gratitude to Professor Kratus and his colleagues at Michigan State for their extremely gracious and…

There are some striking parallels between the critical theory concept of second nature as the product of reified ideas and some of the more radical work done in the area of metaphor theory. This discussion is an attempt to synthesize some of the ideas from these two fields of study and to explore their implications for music education. In this…

In this article the author's examine, through the cases of Finland and Cambodia, expressions of constructive patriotism in educational policy, curriculum documents and music teacher actions and reflections. This study is part of a broader cross-cultural exchange project: "Multicultural Arts University", between researchers and music…

Axiology is the philosophical discipline that studies questions of value. It is centrally concerned, then, with both the arts and with ethics and morality. Music teaching clearly involves questions of musical value and, because the wellbeing of students is at stake, teaching engages a wide range of ethical responsibilities. However, music…

Mentoring is an instructional model that allows for one-on-one engagements between teacher and student. It is unarguably one of the better ways of individualizing instruction at all levels. Music educators in higher education are accustomed to this model by: (1) their own professional music studies; and (2) what they experienced while writing a…

Music educators have the potential to educate student musicians to be ethically involved citizens of the world. Educators can promote worldwide understanding by nurturing sensitivity and fostering sympathy within and between human beings and thus help students become agents in the creation of alternative globalizations. From an ethical…

Like professionals in other disciplines, music educators are expected to observe certain behavioral standards. In addition to teaching musical skills, concepts, and context, music educators are also expected to protect the welfare of children, serve as trustworthy stewards of public property, and generally behave responsibly and professionally…