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Showing all 12 results
Bates, Vincent C. – Action, Criticism, and Theory for Music Education, 2013
In the summer of 2011 (June 16-19), the MayDay Group met in Salt Lake City, Utah (USA) for MayDay Colloquium 23, with presentations and discussions on the theme,"The End(s) of Music Education? A Call for Re-Visioning": In a time of rapidly changing political processes, power relations, and policies, music educators are challenged to…
Descriptors: Music Education, Music Teachers, Educational Change, Urban Schools
Cee, Vincent – Action, Criticism, and Theory for Music Education, 2013
In this paper Vincent Cee provides a synthesis of ideas published by several authors who wrote in the late 1960s through the early 1980s. Remarkably, these authors arrived at similar conclusions in disparate ways and disciplines, all of which hold rich implications for music education. The works examined include Neil Postman's and Charles…
Descriptors: Music Education, Interdisciplinary Approach, Advocacy, Leadership
Prest, Anita – Action, Criticism, and Theory for Music Education, 2013
In recent years, several corporate leaders have lobbied for schools to promote studies in science, mathematics, and technology to better prepare students for the kinds of jobs these business leaders anticipate will exist in the future. This spring, Mark Zuckerberg, CEO of Facebook, called for "higher standards and accountability in schools…
Descriptors: Music Education, Educational Change, Neoliberalism, Teaching Methods
Stewart Rose, Leslie; Countryman, June – Action, Criticism, and Theory for Music Education, 2013
Several years ago, the author's relocated their work as educators from middle and high school music classrooms to positions in teacher education at two Canadian universities. Recognizing that working in initial teacher education demanded a new level of theorizing their practices of music education, they questioned their professional…
Descriptors: Music Education, Educational Practices, Instructional Design, Instructional Development
Regelski, Thomas A. – Action, Criticism, and Theory for Music Education, 2009
Considered socially, musical values are always relative in practice to the uses and purposes of observers, thus accounting for the variety of meanings and values different people--even experts--derive from the same musical occasion, or the different meanings and values the same person experiences on different occasions. Music education is a…
Descriptors: Music Education, Music, Curriculum Development, Educational Change
Regelski, Thomas A., Ed. – Action, Criticism, and Theory for Music Education, 2007
Music education research today continues in well-worn paths. While it may be productive in quantity, it is not clear the degree to which it informs current music teacher education or has produced advances in teaching practice. Indeed, as some critics of university-based teacher education research have argued (e.g., Boyer 1990; Schwandt 2005), such…
Descriptors: Music Education, Educational Research, Music Teachers, Teaching Methods
Sands, Rosita M. – Action, Criticism, and Theory for Music Education, 2007
The topics of "social justice" and "equity" have certainly captured the attention of a broad constituency of seemingly well-intentioned individuals, not only in disciplines related to the social sciences, the historical provenance of such constructs, but also in humanities fields and in the discipline of education. Upon examining the varied uses…
Descriptors: Social Justice, Music Education, Teacher Education Programs, Curriculum Development
Morton, Charlene – Action, Criticism, and Theory for Music Education, 2006
The new reader "Gender and Aesthetics: An Introduction" is part of a series "designed for students who have typically completed an introductory course in philosophy and are coming to feminist philosophy for the first time". Why should music educators adopt this feminist introduction to gender and aesthetics when they can readily turn to more…
Descriptors: Feminism, Introductory Courses, Music Education, Music
Bradley, Deborah – Action, Criticism, and Theory for Music Education, 2006
This paper is a beginning attempt to "decolonize" one's understanding of multiculturalism in music education. The author first considers the ways race is embedded as coded language in discourse, and the ways one's use of coded language hinders one's ability to talk about race directly. In this regard, the author addresses the silence that…
Descriptors: Music Education, Music, Cultural Pluralism, Race
Goble, J. Scott – Action, Criticism, and Theory for Music Education, 2005
In his recent historical-philosophical offering, "The Enormous Flywheel of Society: Pragmatism's Habitual Conception of Action and Social Theory," Finnish scholar Erkki Kilpinen explores the historical development of pragmatism as a philosophy and describes its varying influence on the development of the social sciences in the United States.…
Descriptors: Music Education, Music, Sociology, Music Teachers
Bernard, Rhoda – Action, Criticism, and Theory for Music Education, 2005
In the author's research, she studies the professional identities of music educators. Through her ethnographic studies of elementary school general music teachers, she has come to better understand the ways that elementary general music teachers express and enact their identities. It is often said that academics study themselves when they conduct…
Descriptors: Music Education, Music, Ethnography, Musicians
Wood, Bruce – Action, Criticism, and Theory for Music Education, 2004
This article is an investigation and development of a locally "grounded" theory resulting from a case study done of a department of music at a state university. The full study was completed (2002) under the advisement and supervision of Dr. Gerald Olson, Professor in the School of Music and the School of Education at the University of…
Descriptors: Music Education, State Universities, School Culture, Case Studies

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