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50 Years of ERIC
50 Years of ERIC
The Education Resources Information Center (ERIC) is celebrating its 50th Birthday! First opened on May 15th, 1964 ERIC continues the long tradition of ongoing innovation and enhancement.

Learn more about the history of ERIC here. PDF icon

Showing all 12 results
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Dyndahl, Petter; Karlsen, Sidsel; Skårberg, Odd; Nielsen, Siw Graabraek – Action, Criticism, and Theory for Music Education, 2014
In this article, we aim to develop a theoretical model to understand what we refer to as "musical gentrification" and to explore how this model might be applied to and inform music education research. We start from a Bourdieusian point of view, elaborating on the connections between social class and cultural capital, and then move on to…
Descriptors: Models, Music, Social Class, Social Capital
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Røyseng, Sigrid; Varkøy, Øivind – Action, Criticism, and Theory for Music Education, 2014
In different ways and in different contexts it has been and still is argued that music education should be prioritized because of its positive impact on pupils in terms of general development as good citizens and in terms of skills in other disciplines. In this article, the authors discuss whether this tendency is best interpreted as an example of…
Descriptors: Music Education, Music Teachers, Teacher Education, Compulsory Education
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Rosabal-Coto, Guillermo – Action, Criticism, and Theory for Music Education, 2014
In this article I discuss a case study of how a music teacher in a postcolonial context has addressed and resisted colonialist practices in education/socialization processes. The case study addresses preliminary findings from a broader ethnography on the social organization of music learning from the standpoint of music teachers. The ethnography…
Descriptors: Case Studies, Music Education, Socialization, Ethnography
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Bates, Vincent C. – Action, Criticism, and Theory for Music Education, 2014
Cosmopolitanism is basically a moral stance requiring every human to be concerned with the wellbeing of every other human being on earth. As such, it tends to privilege cosmopolitan--urban and culturally elite--populations while suppressing more "place-bound" groups. Cosmopolitan education constitutes a form of abjection whereby…
Descriptors: Music Education, Cultural Pluralism, Western Civilization, Cultural Influences
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Tobias, Evan S. – Action, Criticism, and Theory for Music Education, 2014
Excluding Hip Hop culture and rap music from music education misses opportunities for addressing key aspects of popular culture, society, and students' lives. This article addresses intersections of Hip Hop, gender, and music education to forward potential Hip Hop praxis. After tracing related scholarship, I discuss and problematize…
Descriptors: Music Education, Popular Culture, Cultural Influences, Gender Issues
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Talbot, Brent C. – Action, Criticism, and Theory for Music Education, 2013
This paper begins with a premise that each person's musical education is made of multiple and diverse experiences that occur in settings both in and out of school (Campbell 2002, 2003, 2008; Green 2002, 2005; Jaffurs 2004, 2006). Nevertheless, when speaking and writing about music education, one often restricts the kinds of music, ways of…
Descriptors: Discourse Analysis, Music Education, Alienation, Music Activities
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Gaztambide-Fernandez, Ruben A. – Action, Criticism, and Theory for Music Education, 2011
Descriptions of the urban contemporary format remain strongly grounded on the assumption that it is based on musical styles associated with African Americans, such as R&B, soul, hip hop, rap, and reggae. Even for the most progressive educators, to speak of urban music is to refer to a narrow set of musical genres associated with the umbrella term…
Descriptors: Social Justice, Music Education, Music Teachers, Urban Education
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Gatien, Greg – Action, Criticism, and Theory for Music Education, 2009
Lucy Green's (2008) "Music, Informal Learning, and the School: A New Classroom Pedagogy" gives rise to an interesting corollary. Does the manner of music's transmission inform one's understanding of a musical category? While categories of music can be difficult to define according to strict musical characteristics, a better understanding of…
Descriptors: Informal Education, Music, Musicians, Music Education
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Gould, Elizabeth – Action, Criticism, and Theory for Music Education, 2008
In this essay, the author builds on Val Plumwood's (1993, p. 192) notion of "devouring the other" to address fundamental problems of social justice and difference in liberal democracies and music education. The problem with liberal democracies is that they assimilate (devour) difference; consensual treatment of its citizens is predicated on the…
Descriptors: Social Justice, Music Education, Democracy, Differences
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Bladh, Stephan; Heimonen, Marja – Action, Criticism, and Theory for Music Education, 2007
In this paper, the authors discuss the influence of democracy and law on music education in Sweden and Finland, and the potential for music education as training in democracy. The latter consideration can be instructive regardless of the nation, or its laws and paradigms of music education. The theoretical background is based on Jurgen Habermas'…
Descriptors: Music Education, Democratic Values, Educational Legislation, Democracy
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Vakeva, Lauri; Westerlund, Heidi – Action, Criticism, and Theory for Music Education, 2007
The winning of an artist representing the lowest level of Finnish musical taste during the 2006 Eurovision song contest marks not only the rebellious attitude towards the over-sanitized contest, but it was the result of a new practice--voting by text message. Recently, music-biased schools that were once selective of the music they teach are now…
Descriptors: Music Education, Democracy, Democratic Values, Foreign Countries
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Walcott, Rinaldo – Action, Criticism, and Theory for Music Education, 2005
Hip hop is the most multicultural of popular musical forms--all races and ethnicities are involved. Simultaneously hip hop is also the most racialized, and indeed the most blackened, musical form of individuals' times. How did this happen and why should it be of interests to music scholars? In this short essay, the author attempts to suggest that…
Descriptors: Music Education, Civil Rights, Music, Popular Culture