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Showing all 9 results
Looking in from the Edges: A Journal Analysis of "Action, Criticism, and Theory for Music Education"
Stark, Jody – Action, Criticism, and Theory for Music Education, 2014
This paper is a reflection on the stance, concerns, and rhetorical style of the MayDay Group (MDG) and its journal, "Action, Criticism, and Theory for Music Education." The theoretical assumption is that MDG constitutes a community of practice (Wenger 1998) with collective histories, agendas, and discursive practices. After discussing…
Descriptors: Periodicals, Music Education, Rhetoric, Communities of Practice
Bates, Vincent C. – Action, Criticism, and Theory for Music Education, 2013
The author of this article proposes an agrarian vision of music education that underscores fundamental, "down-to-earth" principles for human actions and interactions. An agrarian world-view encourages mass participation ("y'all come")--"musicing" is free and available to all and it is not treated as a…
Descriptors: Music Education, Educational Principles, Educational Practices, Ecology
Prest, Anita – Action, Criticism, and Theory for Music Education, 2013
In recent years, several corporate leaders have lobbied for schools to promote studies in science, mathematics, and technology to better prepare students for the kinds of jobs these business leaders anticipate will exist in the future. This spring, Mark Zuckerberg, CEO of Facebook, called for "higher standards and accountability in schools…
Descriptors: Music Education, Educational Change, Neoliberalism, Teaching Methods
Heimonen, Marja – Action, Criticism, and Theory for Music Education, 2012
Music educators have the potential to educate student musicians to be ethically involved citizens of the world. Educators can promote worldwide understanding by nurturing sensitivity and fostering sympathy within and between human beings and thus help students become agents in the creation of alternative globalizations. From an ethical…
Descriptors: Music Education, Caring, Ethics, Music
Saunders, J. A. – Action, Criticism, and Theory for Music Education, 2010
Music teachers may feel most comfortable teaching the music they know, in the way that they were taught and in the way that they were taught to teach it. Music and the teaching of music is a strong part of their professional musical identity. Adolescents have a passionate attachment to music but insist that this must be on their terms, which may…
Descriptors: Creativity, Music Education, Music, Adolescents
Berleant, Arnold – Action, Criticism, and Theory for Music Education, 2009
Unlike the other arts, music has no direct connection with the rest of the human world. True, there are bird songs and natural "melodies" in the gurgling of brooks, but these are hardly the materials of music in the way that landscape can be the subject of painting. And no natural sounds can stand alone as quasi-artworks the way that the deeply…
Descriptors: Music, Teaching Methods, Music Education, Music Appreciation
Torres, Cecilia A.; Souza, Jusamara – Action, Criticism, and Theory for Music Education, 2005
This article reports on a project called, "Everyday life as a perspective on music education in the classroom." Part of this project involved the construction of texts and lyrics by a group of students from year 5, in weekly music lessons at a regular primary school from Porto Alegre, Rio Grande do Sul State, Brazil. The article describes the…
Descriptors: Music Education, Music Activities, Creativity, Elementary School Students
Gouzouasis, Peter – Action, Criticism, and Theory for Music Education, 2005
In many ways, culture is rooted in the arts. While one may argue that "public policy debates are connected to information technology" (Snyder, et. al., 1999), public policies are also profoundly influenced by the sounds and images that form the content of all aspects of broadcast and print media. Contrary to an information technologist's…
Descriptors: Music, Information Technology, Creativity, Music Education
Bohlen, Donald – Action, Criticism, and Theory for Music Education, 2004
This author, a composer, states that music has been the primal generator of his existence and the definition of living creatively; and that understanding the bicameral reality of creativity through a study of the nature of consciousness involves a symbiotic host of disciplines. In the study of the occurrence of "creativity," consciousness as well…
Descriptors: Creativity, Music Teachers, Educational Environment, Musical Composition

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