Publication Date
| In 2015 | 0 |
| Since 2014 | 0 |
| Since 2011 (last 5 years) | 0 |
| Since 2006 (last 10 years) | 3 |
| Since 1996 (last 20 years) | 4 |
Descriptor
| Music Education | 3 |
| Social Bias | 3 |
| Females | 2 |
| Feminism | 2 |
| Homosexuality | 2 |
| Music | 2 |
| Social Attitudes | 2 |
| Social Justice | 2 |
| Acculturation | 1 |
| African Americans | 1 |
| More ▼ | |
Author
| Gould, Elizabeth | 4 |
Publication Type
| Journal Articles | 4 |
| Opinion Papers | 4 |
| Reports - Descriptive | 2 |
Education Level
| Higher Education | 1 |
Audience
Showing all 4 results
Gould, Elizabeth – Action, Criticism, and Theory for Music Education, 2010
The radical outside claimed by Gloria T. Hull, Patricia Bell Scott, and Barbara Smith nearly 30 years ago was comprised of black feminism and feminist race theory in the context of black lesbian studies, which had no academic precedent. What today makes their actions, words, and meaning-making brave is material realization of their subjectivities.…
Descriptors: Feminism, Music Education, Homosexuality, Social Bias
Gould, Elizabeth – Action, Criticism, and Theory for Music Education, 2008
In this essay, the author builds on Val Plumwood's (1993, p. 192) notion of "devouring the other" to address fundamental problems of social justice and difference in liberal democracies and music education. The problem with liberal democracies is that they assimilate (devour) difference; consensual treatment of its citizens is predicated on the…
Descriptors: Social Justice, Music Education, Democracy, Differences
Gould, Elizabeth – Action, Criticism, and Theory for Music Education, 2007
This article offers a highly-nuanced account of social justice that attempts to get beyond the facile and familiar rhetoric of "fairness" to more grounded, material, and embodied understandings of injustice. In an analysis that revolves around the concepts of performativity, legibility, and "the abject"--the "radically excluded"--the author argues…
Descriptors: Social Justice, Music Education, Music, Social Bias
Gould, Elizabeth – Action, Criticism, and Theory for Music Education, 2005
Regardless of race, gender, class, physical- and cognitive-ableness, as well as sexual orientation, to be musical in North American and western European societies is to be queer--particularly for men (Fuller and Whitesell, 2002), and maybe specifically for men, since women barely register in discussions of musicians. In this article, the author…
Descriptors: Imagination, Middle Class, Musicians, Sexual Orientation

Peer reviewed
Direct link
