Listening preferences for two pieces, Prelude and Forlane from "Le tombeau de Couperin" by Maurice Ravel (1875-1937), were assessed in two experiments conducted with 8-month-old infants, using the Headturn Preference Procedure (HPP). Experiment 1 showed that infants, who have never heard the pieces, could clearly make a distinction between the Prelude and Forlane when the latter are played in multiple (i.e. orchestral) but not single (i.e. piano) timbres. In Experiment 2 infants were exposed repeatedly to one of the two piano pieces over a 10-day period. Concurrent with previous studies, results suggested that babies can recognize a familiar piece after a 2-week delay. Implications for early childhood music education are outlined at the end of the article. (Contains 3 figures.)