Considers how in "Post-Something" times, misquotation has become a reading practice, or at least a strategy within certain practices of reading. Suggests that Post-Modernism needs a canon, a continuity of culture, in order to be Post-Anything. Describes how in making his own canon, the author posits certain genre qualities that appeal to him, and so their absence from a particular artwork excludes it from his canon. (SG)