"Confessions" begins with an auto-ethnographic account of my learning-through-movement in a relationship that was intimate, therapeutic, embodied and instructive--with a teacher called Annie. It seems sensible to start with a choreographic teacher of Feldenkrais therapies and theatre-movement to think about the meanings I import from my roles as learner, therapist and performer to my roles as educator and feminist--and back again. My work with Annie, as her student, brought choreography back into the social science class rooms in which I teach, along with an acute awareness of my embodied self as a condition/centre of my pedagogical strategies in teaching the social. Amplifying this experience, I present ways of storying and reading my teaching praxis in conventional academic classrooms, as informed by the ways in which I theorise my learning that has occurred outside of them.