In Part I of this study (Burke, 2005), the author presented the essentials of Image Presentation Theory--IPT--and its application to the analytical explication of various spatial designs in and psychological responses to images, from the illusions of depth in what is referred to as "windows" in cinema theory to the more patterned abstractions of "frames," with extensions of this basic model into not only other forms of visual media but also metaphorical explorations into various communication situations such as the novel of Lolita which he has elaborated in his concept of a Special Case Frame. In this current further extension of the foundational theory he explores how these IPT concepts apply to the adaptations of the novel into the Classic Window interpretations of the two films by Stanley Kubrick and Andrian Lyne. (Contains 1 Editor's note and 7 notes.)