Maintains that ethics is behavior as judged according to some understood standard. Recommends the use of "occasional" ethics, an informal but reflective approach that can be used in many course designs. Illustrates the concept with examples from the author's instruction in humanities courses. (CFR)

Reports on the beginnings of visual representation in early childhood by using longitudinal studies in both London, England and Singapore. Finds evidence to support the theory that underlying children's use and organization of visual media are certain robust forms of behavior, or deep structures. (CFR)

Reviews research on the relationship among young children, their developing skills, and art. Maintains that children's development, like art itself, grows out of the individual child artist and his or her place in life and culture. Presents examples of developmentally appropriate art activities and instruction. (CFR)

Discusses how teachers can guide young children to become aware of residential buildings in their hometowns in order to help understand cultural diversity in the global community. Maintains that, as children explore diverse forms of shelter, they begin to recognize cultural similarities. (CFR)

Reports on research with preschool caregivers, primary grade teachers, and home caregivers of 605 young children on the role the visual arts play in early childhood education. Finds that parents and personnel at day care centers and nursery schools were sensitive to, and positive about, the role and significance of visual arts. (CFR)

Maintains that there is a lack of research on teaching styles and that teaching and learning styles are distinct topics and should be studied separately. Discusses research findings related to descriptive aspects of teaching styles. Presents a six-part model of teacher behaviors that comprise teaching style. (CFR)

Maintains that the past two decades have seen a remarkable growth in alternative education options, particularly home schooling. Asserts that the parents' religious and moral beliefs are primary reasons for the home schooling movement. Reviews research on home schooling and calls for more relevant lines of inquiry. (CFR)

Maintains that the quality of most theology courses is measured by the quality of class discussion. Identifies and discusses philosophical, theological, and educational assumptions that have a bearing on class discussion. Presents strategies to help reinvigorate a stalled discussion. (CFR)

Contends that the use of commercial published curricula, particularly textbooks and teacher's guides, is widespread in U.S. church-sponsored programs of religious education. Reports on case studies of five church-school teachers on their curriculum development and lesson-planning procedures. (CFR)

States that, from 1900-1916, U.S. demographic make-up changed dramatically due to the influx of people from southern and eastern Europe. Also asserts that some of the musics of African Americans and Native Americans were introduced into the music curriculum. (CFR)

Reports on a study to compare the hearing acuity of three groups of music teachers: (1) vocal; (2) elementary instrumental; and (3) high school instrumental. Finds some risk of hearing loss among high school band directors, but that the degree of risk varies widely among individuals. (CFR)

Reports on a study of music listening preferences among undergraduate college music majors, high school musicians in performance groups, and sixth-grade students in eight U.S. sites. Finds instrumental biases among high school and college musicians' preferences for relatively unfamiliar classical music. (CFR)

Argues that educators have not developed curriculum and instruction models tailored to lower-achieving students. Discusses characteristics of lower-achieving students and to teaching methods and instructional materials. Presents suggestions for making history and social studies more relevant for these students. (CFR)

Describes the origins, development, and products of the slow- learner social studies curriculum development project at Carnegie-Mellon University (Pennsylvania) in the late 1960s. Maintains that this project represented the last wave of curriculum projects to emerge from the national reform efforts following Sputnik. (CFR)

Maintains that teachers can develop a drama skit known as "el acto" for studying Hispanic American history and contemporary themes. Discusses the history of this dramatic form and how it has been used in the schools. Presents a seven-step set of procedures for implementing and evaluating this classroom technique in the classroom. (CFR)