ERIC Number: ED331688
Record Type: RIE
Publication Date: 1991
Reference Count: 0
Passages: A Celebration of Migrant Arts. A Guide to the  Exhibition.
This booklet accompanied a 1991 exhibition of migrant arts, mounted by CAMPS (Creative Artists Migrant Program Services) and an ongoing program of collection and documentation research on migrant folk arts at the BOCES Geneseo Migrant Center. There are four passages in migrant lives: through historical time, through space, through the seasons of nature, and through the cycles of life. This exhibit traces passages in the arts of four migrant groups: Mexican, Algonquin Native, Haitian, and African Americans. African American migrant art celebrates the passage of historical time out of Africa though slavery to freedom. Today ancient African traditions are adapted to life on the migrant stream, as wood found on the way is carved into walking canes--symbols of traditional authority--and camp rappers and poets emulate traditional African praise singers. Haitian art evokes the passage by water in carefully detailed drawings of boats, which are also a powerful protective Voodoo symbol. Other protective spiritual images found in Haitian art are the skeletal male figure with split color hands and checkerboard patterns of vivid colors. Algonquin art celebrates nature and the turn of the seasons, and includes woodcarvings of images of the bush and floral designs on baskets, beadwork, and embroidery. Mexican and Mexican-American art, often related to ceremonies marking passage through the life cycle, includes decorations of flowers and cut and folded paper as well as leathercraft and paintings. (SV)
Publication Type: Creative Works
Education Level: N/A
Sponsor: New York State Council on the Arts, New York.; New York Foundation for the Arts.
Authoring Institution: BOCES Geneseo Migrant Center, Geneseo, NY.
Identifiers: African Americans; Algonquin (Tribe); Native Americans